This section focuses on Release Deliveries. However, its concepts apply to implementing all other DDEX message standards.
This section provides an introduction to the digital supply chain integration process between a content provider and a digital service provider (DSP) utilising the Digital Data Exchange (DDEX) standards, i.e.:
7 Comments
Anonymous
Hi.
Im very interesting in know if the Digital sales Repoting must be developed in Format XML?
Thanks
Regards
DDEX Secretariat
There are two formats for sales reporting: one in XML <http://kb.ddex.net/display/DSR/Digital+Sales+Reporting+Message+Suite+Standard> and one as a flat file: <http://kb.ddex.net/pages/viewpage.action?pageId=1344864>
Anonymous
Dear Sir or Madame,
I would like to receive the latest information about the standard ERN Electronic Release Notification for Release Deliveries and an example file in XML format, if possible.
Once I generate the XML file according the ERN:
Thank you in advance for your time.
Paulo
DDEX Secretariat
Paolo,
please get in touch via ddex.net/content/contact-us and we may be able to help.
Thanks,
Niels
Anonymous
Hi Niels,
Thank you for the reply. I just got in touch with you from your "contact-us" page.
Best,
Paulo
Anonymous
As a content creator, how can I start using DDEX in my work flow to start submitting metadata to DDEX? Credits like Producer, Engineer, and musicians that played on the recording.
Chris Bell
www.proaudioengineer.com
DDEX Secretariat
A very good question, Chris. Data about the recording/mixing/mastering events should be collected as close to the recording/mixing/mastering event as possible. Ideally within the digital audio workstation that the sound engineer uses to do his work. DDEX is currently working on a standard that would allow DAW manufacturers to populate a standardised metadata file with relevant information about the recording. We call this standard Recording Information Notification and I would like to invite you to have a look at http://ddex.net/rin for more details om RIN.
We are currently seeking input from DAW manufacturers – but also their users and other interested parties – on our current approach.