- Created by DDEX Secretariat, last modified on 2020-10-08
This section of the DDEX Knowledge Base contains Version 1.0 of the Recording Data and Rights Revenue Reporting Standard
1 Introduction
Any organisation wishing to implement this (or any other DDEX standard) is required to apply for an Implementation Licence. The terms of the licence and an application form can be found on https://ddex.net/implementation/implementation-licence-and-ddex-party-identifiers.
2 Scope
The message defined herein is a flat-file replacement for the XML-formatted DeclarationOfRevenue message defined in version 1.4 (and earlier) of the Music Licensing Company Message Suite and Choreography Standard. DDEX has decided to deprecate this XML message in the future and replace it with the flat-file format defined herein.
3 Normative References
The following normative documents contain provisions, which through reference in this text constitute provisions of this standard. For dated references, subsequent amendments to, or revisions of, any of these publications do not apply. For undated references, the latest version applies.
- DDEX Data Dictionary Standard. Latest Version
- DDEX Party Identifier (DPID) Standard. Latest Version
- DDEX, Digital Sales Reporting Message Suite Standard - Part 8: Record Type Definitions
- IETF. RfC2026. SSH File Transfer Protocol. October 2001
- IFPI. Global Release Identifier (GRid) Standard. Latest Version
- ISO 639-1:2002. Codes for the representation of names of languages — Part 1: Alpha-2 code. 2002
- ISO 3166-1:1997. Codes for the representation of names of countries and their subdivisions – Part 1: Country codes. 1997
- ISO 3901:2001. Information and documentation – International Standard Recording Code (ISRC). 2001
- ISO 4217:2001. Codes for the representation of currencies and funds. Latest Version
- ISO 8601: Data elements and interchange formats – Information interchange – Representation of dates and times. Latest Version
- ISO 15707:2001. Information and documentation -- International Standard Musical Work Code (ISWC). 2001
- ISO/IEC 10646, Information technology — Universal multiple-octet coded character set (UCS). Latest Version
4 Terms and Abbreviations
Audio-visual Resource
An audible and visual persistent manifestation of a subject (often but not necessarily of a performance).
Cell
An individual data element in a Record. Cells are separated by Delimiters.
Claiming Music Licensing Company
A Music Licensing Company that is receiving a Revenue report from a Paying Music Licensing Company.
Collecting Music Licensing Company
A Music Licensing Company that originally collected Revenue for Sound Recordings, Music Videos and/or other Audio-visual Resources from licensees.
Delimiter
A character that delineates, in a flat file, either one Record from another Record or one Cell from another Cell.
Message Recipient
A Party that receives a Message formatted in accordance with a DDEX Standard from a Message Sender. The Message Recipient may also be one or more of a Licensor, a Licensee, a Rights Controller, a Rights Administrator, a Licensing Agent or a Rights Holder.
Message Sender
A Party that sends a Message formatted in accordance with a DDEX Standard to a Message Recipient. The Message Sender may also be one or more of a Licensor, a Licensee, a Rights Controller, a Rights Administrator, a Licensing Agent or a Rights Holder.
Music Licensing Company
A company that is duly authorised to issue licences for the use of SoundRecordings and music videos. Music Licensing Companies may issue licences on behalf of phonogram producers, performers or both.
Note: Music Licensing Companies were previously referred to as Producers (and/or Performers) Collection Societies (PCSs).
Note: Music Licensing Companies are sometimes abbreviated as MLCs. DDEX avoids using that abbreviation as it may be confused with the Mechanical Licensing Collective established by US law.
Music Video
An audio-visual recording of the performance of a musical work.
Paying Music Licensing Company
A Music Licensing Company that has collected Revenue for Sound Recordings, Music Videos and/or other Audio-visual Resources, and that reports such Revenue.
Record
A line in a flat file containing data about a specific data entity. The Record type is indicated in the first Cell. Data elements are contained in Cells which are separated by a specifically defined Delimiter.
Resource
A digital fixation of an expression of an abstract Work (such as a sound recording, a video, an image, software or a passage of text). Resources are individual assets that make up a Release. Typical Resources are sound recordings, video clips and cover art images.
Revenue
The amount of money generated in accordance with the commercial relationship between Licensee and Licensor for the distribution of Releases to consumers.
Rights Controller
A Party that controls rights in one or more Creations in respect of some or all rights for specific territories, time periods, Rights Types, Usage Types and Commercial Model Types (which may be anything up to and including all rights for the world, in perpetuity, for all types of Usage and for all types of Commercial Models). Creations include Musical Works, Sound Recordings and other Resources as well as Releases.
A Rights Controller is in many cases also the Licensor.
A Rights Controller may be a human being or other legal person or corporate entity.
A Rights Controller may or may not also be the Rights Administrator, the Licensing Agent or the Rights Holder.
A Rights Controller may or may not be the Message Sender or Message Recipient of a message in a specific information exchange defined by a DDEX Standard.
Secondary Delimiter
Delimiter used to separate data elements within a single Cell.
Sound Recording
An audible persistent manifestation of a subject (often but not necessarily of a performance).
| AMEP | Automated Message Exchange Protocol |
| ACA | Appointed Certification Agency |
| AVS | Allowed Value Set |
| BP | Business Profile |
| CISAC | Confédération internationale des sociétés d'auteurs et compositeurs, the International Confederation of Societies of Authors and Composers (see cisac.org) |
| CA | Certification Agency |
| CT | Conformance Tester |
| DAW | Digital Audio Workstation |
| DDEX | Digital Data Exchange |
| DSIG | Digital Signature |
| DSP | Digital Service Provider (incudes Mobile Service Providers) |
| DSR | Digital Sales Reporting |
| ERN | Electronic Release Notification |
| FTP | File Transfer Protocol (FTP specifically includes SFTP) |
| GRid | Global Release Identifier |
| HTTP | Hypertext Transport Protocol (HTTP specifically includes HTTPS) |
| HTTPS | Secure Hypertext Transport Protocol |
| IEC | International Electrotechnical Commission (see iec.ch) |
| ISO | International Organisation for Standardisation (see iso.org) |
| MIME | Multipurpose Internet Mail Extensions |
| MWL | Musical Works Licensing |
| MWN | Musical Works Notification |
| MRBV | Multi-Record-Block Variant |
| PCA | Private Certification Agency |
| Portable Document Format | |
| REST | REpresentational State Transfer |
| RIN | Recording Information Notification |
| SFTP | Secure FTP |
| SRBV | Single-Record-Block Variant |
| TIS | Territory Information System (a CISAC Standard) |
| TLS | Transport Layer Security |
| UGC | User-generated content |
| URL | Uniform Resource Locator |
| XML | eXtensible Markup Language |
| XSD | XML Schema Definition |
| W3C | World Wide Web Consortium (see w3c.org) |
| WS | Web Service |
5 Choreography
The use of an Acknowledgement Message, shown as ACK, is optional and not defined in this standard.
Figure 1 – Simple scenario of the choreography for the Recording Data and Rights Revenue Reporting Standard
Figure 2 – Two-step scenario of the choreography for the Recording Data and Rights Revenue Reporting Standard
Table 1 – Messages in the Recording Data and Rights Revenue Reporting Standard
Message Name | Initiating Event | Sender | Recipient |
|---|---|---|---|
| A Music Licensing Company has generated revenue for a Sound Recording or Music Video for which it has received a claim and wishes to report these revenues to a Recording Rights Controller | Music Licensing Company (Collecting Music Licensing Company and Paying Music Licensing Company)
| Recording Rights Controller that made a claim for the Sound Recording or Music Video to the Collecting Music Licensing Company |
| A Music Licensing Company has generated revenue for a Sound Recording or Music Video for which it has received a claim and wishes to report these revenues to the Claiming Music Licensing Company | Music Licensing Company (Collecting Music Licensing Company and Paying Music Licensing Company) | Music Licensing Company (Claiming Music Licensing Company) that made a claim for the Sound Recording or Music Video to the Collecting Music Licensing Company |
RevenueDeclarationMessage | A Music Licensing Company has received a revenue report from a Collecting Music Licensing Company and wishes to report these revenues to a Recording Rights Controller | Music Licensing Company (Paying Music Licensing Company) | Recording Rights Controller that made a claim for the Sound Recording or Music Video to the Paying Music Licensing Company (Claiming Music Licensing Company) |
6 Message Defintion
Such messages shall comprise:
- One Header Record
RHEAin accordance with Clause 7.1; - 1-2 Statement Summary Records
RS01in accordance with Clause 7.3.- Each RS01 can be followed by 1-n Allocated Party Summary Records RS02 in accordance with Clause 7.4; each Allocated Party Summary Record shall be pointed to from at least one Sound Recording Revenue Details Record or Other Revenue Details Record or Audio-visual Resource Revenue Details Record. The Statement Summary Record shall provide summary information for exactly these Revenue Details Records;
- 1-n Revenue Details Records
RD01in accordance with Clause 7.5 orRD02in accordance with Clause 7.6 orRD03in accordance with Clause 7.7. Each Revenue Details Record shall point to exactly one Allocated Party Summary Record to which it provides detailed information; - One Footer Record
RFOOin accordance with Clause 7.2.
In cases where a company wishes to send a RevenueDeclarationMessage to report no revenues, it shall omit any RDxx Records.
Since the Header Record only allows a single DistributionDate, a RevenueDeclarationMessage can only relate to a single distribution.
The table below provides an overview of the order and cardinality of the Records to be used in this Standard.
| Record Type | Cardinality |
|---|---|
RHEA | 1 |
RS01 | 1-2 |
| 1-n |
RD01 or RD02 or RD03 | 1-n |
RFOO | 1 |
6.2.1 Baseline Format and Character Codings
Revenue declaration messages created in accordance with this standard shall be tab delimiter-separated values text files. Further details are provided below.
The messages defined in this standard are coded using UTF-8 with a big endian byte ordering.
A company receiving a revenue declaration message with a Record containing information identified by an unknown Record Type Identifier may ignore such Records.
6.2.2 Delimiters
Each Record is placed into one line terminated by a line feed (Unicode U+000A) or a carriage return and line feed pair (Unicode U+000D 000A).Cells within a Record are separated by tab characters (Unicode U+0009).
Should a Cell contain two or more data elements, these data elements shall be separated by a pipe character (Unicode U+007C). This is referred to as a Secondary Delimiter.
All data elements in a multi-value Cell shall be of the same primitive data type.
Should a Cell contain a data element whose provenance needs to be provided, the data element shall be preceded by a string that provides a "namespace" and two colon characters (Unicode U+003A). The double colon is referred to as a Namespace Delimiter.
Examples include specifically identifiers where, e.g., a party ID can be communicated as " ISNI::0000000081266409 ", indicating that the identifier (0000000081266409) is an International Standard Name Identifier (ISNI).
In addition, if a party provides multiple IDs whose type cannot be defined by a namespace before the double colon, then the type of the identifier can precede the data element, from which it is separated by a colon (Unicode U+003A), e.g "PADPIDA2007081601G::PartyID:123456", where 123456 is a PartyID as defined by the party with the DPID PADPIDA2007081601G.
Delimiters shall not be surrounded by extra space characters. The same principle applies to the Secondary Delimiter.
Example: Two identifiers, 1234 and ABCD should be communicated in once Cell as "1234|ABCD" and not as "1234 | ABCD".
If a Message Sender has received data with extra white spaces, they are encouraged to trim any such extra white space characters when compiling a RevenueDeclarationMessage. They may, however, also use the data with these extra white space characters in such cases. The same principle applies to the Secondary Delimiter.
Example: When the Message Sender received a Display Artist as "John Lennon ", then the Display Artist should be communicated as "John Lennon" but may be communicated as "John Lennon ".
To communicate a primary Delimiter in a Cell, such a Cell shall not be enclosed in double quote characters. Instead the Delimiter shall be immediately preceded by an escaping code.
To escape a primary Delimiter, the escaping code is the backslash character (Unicode U+005C). Therefore, the string A[TAB]B would have to be communicated as A\[TAB]B (with [TAB] representing the tabulator).
To escape a Secondary Delimiter, the escaping code is a double backslash character (Unicode U+005C). Therefore, the string A|B would have to be communicated as A\\|B.
To communicate a backslash character, three backslash characters need to be communicated. Therefore, the string A\B would have to be communicated as A\\\B.
This “escaping mechanism” must be used for all special characters in all Cells, whether those Cells allow multiple values or not. A non-escaped pipe character in a single-value cell is, consequently, an error. For the avoidance of doubt, escaping a character that should not be escaped, or not escaping a character that should have been escaped, will lead to an invalid message.
It is not permissible to include empty Records in a RevenueDeclarationMessage. Records whose first character is the hash symbol (“#”, Unicode U+0023) shall be ignored by automated ingestors. These Records are included solely to aid human readability.
It is possible to communicate empty Cells. In that case, two tab characters shall follow each other with no characters in-between. The semantics of an empty Cell is determined by the commercial relationship between Message Sender and Message Recipient, unless specifically defined in this standard.
6.2.3 Primitive Data Types
Within this standard the following primitive data types are used. This standard does not prescribe a specific precision in which numbers are to be given. Message Sender and Message Recipient must agree a mutually agreeable precision for the type of transactions at hand.
Data Type | Definition | Example |
|---|---|---|
Date | A date in the ISO 8601 format to indicate a single year (YYYY), month (YYYY-MM) or day (YYYY-MM-DD). | 2015-01-09 |
Duration | A duration in the ISO 8601 format (P[nY][nM][nD][T[nH][nM]nS]). Elements including their designator may be omitted if their value is zero. Note that the expressions “PT3M2S” (three minutes and two seconds) and “PT182S” (182 seconds) are both permitted and are equivalent. | PT3M2S |
| Multiple | A sequence of 0-n strings in accordance with a defined data type separated by Secondary Delimiters. If only one data item is to be provided, no Secondary Delimiter shall be included. If the cardinality of such an element is "M", at least one such data item must be provided. Cells that may contain multiple values may be related related. For example one Multiple-String Cell may be for names of composers/lyricists and it may be followed by a Multiple-String Cell for identifiers of these composers/lyricists. In those cases, both Cells must contain the same number of Secondary Delimiters and there may only be 0-1 data items between the Secondary Delimiters. | "12" or "12|54|123" or "12||123" (without the quotes) |
String | A sequence of characters with a length of at least one character. This standard does not define a maximum length. Strings may not contain non-printable characters (Unicode U+0000 to U+001F). | Johannes Brahms |
Integer | A sequence of digits to represent positive or negative integer numbers, or zero. | 135672 |
Decimal | A sequence of digits to represent positive or negative integer numbers, positive or negative decimal fractions or zero. See Clause 6.4 regarding precision of amounts. The character used to separate the integers from fractions is the dot (“.”, Unicode U+002E). Thousands separators or any other digit grouping shall not be used. Numbers may be represented with a trailing decimal point, a trailing “.0” or with no trailing characters. For example, the number five can be represented as “5”, “5.” for “5.0”. Multiple trailing “0” should not be used, so the value 5.5 should not be represented as “5.50” or “5.5000”. When the number 0 (zero) is to be communicated, it shall be represented as | 123 123.567 -5.25 0 |
Boolean | A string containing either “true” or “false” | true |
| PartyID | A string in the form IdType::ID where IdType identifies the identification scheme. Examples are ISNI for an ISO 27729 International Standard Name Identifier, IPI for a CISAC Interested Party Identifier or IPN for a SCAPR International Performer Number. The ID element then contains the identifier in the format defined by the identification scheme. Only one identifier can be communicated for each party in a PartyID field. | ISNI::0000000081266409 |
DDEX Party ID | A string of 18 characters in accordance with the DDEX Party ID standard. Note that the DDEX Party ID standard defines that DDEX Party IDs do not contain dashes in computer-to-computer communications. Therefore, DDEX Party IDs, when included in a RevenueDeclarationMessage, shall not contain dashes. | PADPIDA2014122301Q |
| AVS | A string from a pre-defined allowed value set. Allowed value sets and their allowed values are listed, defined and provided in Clause 8. To override a DDEX-defined value, the DDEX-defined value “UserDefined” shall be used, followed by single space character and a string representing the term to be communicated. This string shall only comprise lower case letters, upper case letters or digits, e.g. UserDefined StreamInOnlineGame. Such user-defined values will need to be agreed between Message Sender and Message Recipient and users are encouraged to raise these issues with DDEX (e.g. via http://www.ddex.net/implementers-forum) with a view to having these values added to the list of DDEX-defined allowed values. | Download |
The following cells usually contain values that are deducted from the gross revenue and that are therefore negative numbers:
CollectingMlcCommission,PayingMlcCommissionCollectingMlcOtherDeductions,PayingMlcOtherDeductionsCollectingMlcWithholdingTax,PayingMlcWithholdingTax
If these cells contain positive numbers, this is considered to be a refund that will increase the gross revenue.
The following cells usually contain values that are added to the gross revenue and that are therefore positive numbers:
CollectingMlcInterest, PayingMlcInterestCollectingMlcVAT,PayingMlcVAT
If these cells contain negative numbers, this is considered to be a refund that will decrease the gross revenue.
For example, a Music Licensing Company that generated a gross revenue of €1,000* and charges a 2% commission should provide the following information in the RD01 Record:
| Cell Name | Value |
|---|---|
| CollectingMlcGrossAmount | 1000 |
| CollectingMlcCommission | -20 |
As a consequence, the Music Licensing Company would report €980 in the NetAmount cell.
If the Music Licensing Company wants to correct an earlier calculation in which too much commission, say €30 too much, was deducted, it can set the CollectingMlcOtherDeductions to be positive, meaning a refund:
| Cell Name | Value |
|---|---|
| CollectingMlcGrossAmount | 1000 |
| CollectingMlcCommission | -20 |
| CollectingMlcOtherDeductions | 30 |
As a consequence, the Music Licensing Company would report €1010 in the NetAmount cell.
*) The currency would be provided in the CurrencyOfAccounting of the relevant summary record.
Some Music Licensing Companies, in particular when reporting revenues for private copy levies on a per track basis that are derived from the market share of a single track, require even more precision. Thus, some Music Licensing Companies use up to 14 decimal digits.
It is therefore recommended that Message Sender and Message Recipient can deal with at least seven decimal digits.
All messages defined in accordance with this standard shall be named in accordance with the following syntax:
RDRR_MessageRecipient_MessageSender_MessageNotificationPeriod_MessageCreatedDateTime.ext
With:
| The Party Name or DDEX Party ID (DPID) of the Message Recipient. The MessageRecipient may be omitted if the Revenue Declaration Message is sent to more than one recipient. This information shall be the same as the information conveyed in the file Header ( |
| The Party Name or DDEX Party ID (DPID) of the Message Sender. This information shall be the same as the information conveyed in the appropriate Record. Note: DDEX Party IDs do not contain special characters. |
| The reporting Period covered by the Message in accordance with ISO 8601. The only allowed syntaxes are:
|
| The date and time on which the Message was created (the only allowed format is the full basic ISO 8601 format without a time zone designator: |
| The file extension, to be “ |
The following constraints apply:
- None of the file name elements may contain an underscore character.
- None of the file name elements may contain a space character.
- When a file name element is to be omitted, the two underscore characters to the left and right follow each other immediately.
- Other file naming conventions may be agreed on a bilateral basis (specifically for testing).
7 Record Type Definitions
| Cell Name | Field Definition | Data Type | M/O/C?[1] | Example | |
|---|---|---|---|---|---|
| 1 | RecordType | The Type of the Record; always to contain “ | Fixed string | M | RHEA |
| 2 | MessageVersion | The Version of the Message. This shall be 10. | Fixed string | M | 10 |
| 3 | MessageId | A string used to uniquely identify the Message. The MessageId shall be, in combination with the MessageSenderId, globally unique. Thus, a MessageSender shall never re-use a MessageId. | String | M | 1234567890 |
| 4 | MessageCreatedDateTime | The DateTime on which the Message was created (the only allowed format is ISO 8601 : YYYY-MM-DDThh:mm:ssTZD). | ISO datetime | M | 2014-12-14T10:05:00Z |
| 5 | UsageStartDate | The StartDate of the usage Period covered by the Message (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO date | M | 2014-12-01 |
| 6 | UsageEndDate | The EndDate of the usage Period covered by the Message (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO date | M | 2014-12-01 |
| 7 | DistributionDate | The Date of the distribution covered by the Message (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO date | M | 2014-12-01 |
| 8 | DistributionDescription | A description of the distribution, which can include an identifier for it or its type (e.g. whether it is a provisory distribution, a cancellation of a provisory distribution, a final distribution or a settlement distribution). | String | O | Final distribution |
| 9 | SenderPartyId | The DDEX PartyId (DPID) of the MessageSender. | DDEX Party ID | M | PADPIDA2008120501W |
| 10 | SenderName | The Full Name of the MessageSender. | String | M | PPL |
| 11 | RecipientPartyId | The DDEX PartyId (DPID) of the MessageRecipient. This element is mandatory when the Revenue Declaration Message is sent to one MessageRecipient and must not be included when the Revenue Declaration Message is sent to more than one MessageRecipient. | DDEX Party ID | O | PADPIDA2007081601G |
| 12 | RecipientName | The Full Name of the MessageRecipient. This element is mandatory when the Revenue Declaration Message is sent to one MessageRecipient and must not be included when the Revenue Declaration Message is sent to more than one MessageRecipient. | String | O | SCPP |
[1] Mandatory – Optional – Conditional
| Cell Name | Field Definition | Data Type | M/O/C? | Example | |
|---|---|---|---|---|---|
| 1 | RecordType | The Type of the Record; always to contain " | Fixed string | M | RFOO |
| 2 | NumberOfAllocatedPartySummaryRecords | Number of Allocated Party Summary Records in accordance with the relevant profile. | Integer | M | 20 |
| 3 | NumberOfRevenueDetailsRecords | Number of Revenue Details Records in accordance with the relevant profile. | Integer | M | 20 |
| 4 | NumberOfLines | Number of lines communicated, including Header and Footer Records as well as empty Records and commented-out Records. | Integer | M | 1234 |
Cell Name | Field Definition | Data Type | M/O/C | Example | |
|---|---|---|---|---|---|
1 | RecordType | The Type of the Record, always to contain “ | Fixed String | M | RS01 |
| 2 | StatementSummaryRecordId | The Identifier (specific to the Message) of the Statement Summary Record. This Identifier shall be referenced in Allocated Party Summary Records to indicate to which Statement Summary Record they provide further information. | String | M | 123 |
| 3 | SummaryType | The Type of the statement provided in this Summary Record. There may be only one RS01 Record with each of the allowed values in a message created in accordance with this standard. | AVS | M | RightsController |
| 4 | CurrencyOfAccounting | The Currency in which the Revenue Allocations are accounted (represented by an ISO 4217 CurrencyCode). | AVS | M | EUR |
| 5 | NetRevenueInCurrencyOfAccounting | Net Revenue generated from the licensing of Resources in the CurrencyOfAccounting. The sum of the net values of the details needs to add up to this amount. | Decimal | M | 1176153.65 |
| 6 | PaymentDate | The date on which the payment associated with this statement summary was (or will be) made to the PaymentRecipient (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO Date | O | 2019-10-10 |
| 7 | PaymentRecipientId | A ProprietaryIdentifier of the party that received (or will receive) the payment, preceded by a namespace identifier in the syntax ns::id. | PartyID | O | myns::4534 |
| 8 | PaymentRecipientName | The Name of the party that received (or will receive) the payment. | String | O | UMG |
Cell Name | Field Definition | Data Type | M/O/C | Example | |
|---|---|---|---|---|---|
1 | RecordType | The Type of the Record, always to contain “ | Fixed String | M | RS02 |
| 2 | StatementSummaryRecordId | The StatementSummaryRecordId of the parent RS01 Record that this Allocated Party Summary Record provides details to. | String | M | 123 |
| 3 | AllocatedParty | The Identifier (specific to the Message) of the Allocated Party Summary Record. This Identifier shall be referenced in Revenue Details Records to indicate to which Allocated Party Summary Record they provide further information. | String | M | 1234 |
| 4 | CollectingMlcName | The name of the Collecting Music Licensing Company (for Music Licensing Company to Music Licensing Company to Payee use cases). | String | O | |
| 5 | PayingMlcName | The name of the Paying Music Licensing Company. | String | M | |
| 6 | ClaimingMlcName | The name of the Claiming Music Licensing Company. | String | O | |
| 7 | ClaimingMlc
| A ProprietaryIdentifier of the AllocatedParty, assigned by the Claiming Music Licensing Company and preceded by a namespace identifier in the syntax ns::id (for Music Licensing Company to Music Licensing Company to Payee use cases). | PartyID | O | myns::4534 |
| 8 | PayingMlc AllocatedPartyId | A ProprietaryIdentifier of the AllocatedParty, assigned by the Paying Music Licensing Company and preceded by a namespace identifier in the syntax ns::id. | PartyID | M | myns::4534 |
| 9 | AllocatedPartyIPN | The International Performer Number of the Allocated Party. An IPN is an 8-digit integer. | Integer | O | 12345678 |
| 10 | AllocatedPartyISNI | The ISNI of the Allocated Party. | String | O | |
| 11 | AllocatedPartyFullName | The complete Name of the Allocated Party, in its normal form of presentation.
| String | M |
Note the double quotes are only provided here to aid readability. They are not part of the data. |
| 12 | AllocatedParty NamesBeforeKeyName | The Name(s) preceding the KeyName in the FullName (and that is placed after it in an indexed form). Not all PartyNames have a NamesBeforeKeyName. | String | O |
|
| 13 | AllocatedParty KeyName | The Part of a Name of the Party normally used to index an entry in an alphabetical list. For persons, this normally corresponds to the "family name" or names, which in Western name forms usually comes as a surname at the end of a FullName, and in Asian name forms often at the beginning of a FullName. | String | O |
|
| 14 | AllocatedParty NamesAfterKeyName | The Name(s) following the KeyName. This is common, e.g., in many Asian personal name forms where a FullName begins with the KeyName, which is followed by other names. | String | O |
|
| 15 | CollectingMlcGrossAmount | The Collecting Music Licensing Company's gross amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | O | 1152.24 |
| 16 | PayingMlcGrossAmount | The Paying Music Licensing Company's gross amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). The sum of the gross amounts of all detailed records adds up to this. | Decimal | M | 1152.24 |
| 17 | CollectingMlcCommission | The Collecting Music Licensing Company's commission amount or administrative fee in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 18 | PayingMlcCommission | The Paying Music Licensing Company's commission amount or administrative fee in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 19 | CollectingMlc | The Collecting Music Licensing Company's other deduction amounts in the CurrencyOfAccounting (communicated in the relevant RS01 Record). If several values are specified, the types need to be provided in CollectingMlcOtherDeductionTypes. The order of the individual data elements in CollectingMlcOtherDeductions and CollectingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. These amounts are deducted from the gross amount and therefore negative numbers. An addition to the gross amount can be expressed by using a positive number. | Multiple Decimals | O | -52.24|-72.66 |
| 20 | CollectingMlc | The type of deductions specified in the CollectingMlcOtherDeductions. This only needs to be provided if several values are given in CollectingMlcOtherDeductions. The order of the individual data elements in CollectingMlcOtherDeductions and CollectingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. | Multiple Strings | O | TradeUnion|Culture |
| 21 | PayingMlc OtherDeductions | The Paying Music Licensing Company's other deduction amounts in the CurrencyOfAccounting (communicated in the relevant RS01 Record). If several values are specified, the types need to be provided in PayingMlcOtherDeductionTypes. The order of the individual data elements in PayingMlcOtherDeductions and PayingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. These amounts are deducted from the gross amount and therefore negative numbers. An addition to the gross amount can be expressed by using a positive number. | Multiple Decimals | O | -52.24|-72.66 |
| 22 | PayingMlc | The type of deductions specified in the PayingMlcOtherDeductions. This only needs to be provided if several values are given in PayingMlcOtherDeductions. The order of the individual data elements in PayingMlcOtherDeductions and PayingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. | Multiple Strings | O | TradeUnion|Culture |
| 23 | CollectingMlcInterest | The Collecting Music Licensing Company's interest amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 52.24 |
| 24 | PayingMlcInterest | The Paying Music Licensing Company's interest amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 52.24 |
| 25 | CollectingMlc WithholdingTax | The Collecting Music Licensing Company's withholding tax amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 26 | PayingMlc WithholdingTax | The Paying Music Licensing Company's withholding tax amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 27 | CollectingMlcVAT | The VAT amount of the Collecting Music Licensing Company in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 13.5 |
| 28 | PayingMlcVAT | The VAT amount of the Paying Music Licensing Company in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 13.5 |
| 29 | NetAmount | The net amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | M | 1152.24 |
Cell Name | Field Definition | Data Type | M/O/C | Example | |
|---|---|---|---|---|---|
1 | RecordType | The Type of the Record, always to contain “ | Fixed String | M | RD01 |
| 2 | SoundRecordingRevenueDetails | The Identifier (specific to the Message) of this Sound Recording Revenue Details Record. | String | M | LK13MC |
| 3 | AllocatedPartySummaryRecordId | The AllocatedPartySummaryRecordId of the Allocated Party Summary Record that this detailed record provides details to. | String | M | A13HG65 |
| 4 | ResourceType | The type of the Resource (either SoundRecording or MusicVideo). | AVS | M | MusicVideo |
| 5 | ISRC | The ISRC (International Standard Recording Code as defined in ISO 3901) for the SoundRecording. An ISRC comprises four parts: two characters, followed by three alphanumeric characters, then two digits and five digits. | String | O | USS1Z1412345 |
| 6 | ProprietaryResourceId | The ProprietaryIdentifier of the Resource preceded by a namespace identifier in the syntax ns::id. This should be specified if no ISRC is given. | String::String | O | myns::4534 |
| 7 | ResourceTitle | The ReferenceTitle of the Resource. | String | M | Roll over Beethoven |
| 8 | ResourceSubTitle | A Descriptor which is supplementary to, but not contained within, a Title. | String | O | Live Version |
| 9 | ResourceDisplayArtistName | The Name to be used when presenting Artist details of the Resource to a Consumer. | String | M | The Beatles |
| 10 | HasMadeFeaturedContribution | A Flag indicating whether the AllocatedParty's Contribution to the Resource is considered prominently featured (=true) or not (=false). | Boolean | O | false |
| 11 | HasMadeContractedContribution | A Flag indicating whether the AllocatedParty made its Contribution to the Resource under an exclusive contract with the InitialProducer (=true) or not (=false). | Boolean | O | false |
| 12 | AllocatedPartyContributionRole | The Role for which revenue was allocated to the party for a contribution to the Resource, using the ContributorRole allowed value set defined in Clause 8.4. The order of the individual data elements in AllocatedPartyContributionRole and AllocatedPartyContributionSharePercentage shall be the same so that the recipient is able to relate them correctly. | Multiple AVS | O | BackgroundVocalist |
| 13 | AllocatedPartyContribution SharePercentage | The percentage of gross revenue allocated to the Resource with respect to the SummaryType (in the RS01 Record) which is allocated to the AllocatedParty in relation to the AllocatedPartyContributionRole. A quarter share is represented by “25” (and not 0.25). The order of the individual data elements in AllocatedPartyContributionRole and AllocatedPartyContributionSharePercentage shall be the same so that the recipient is able to relate them correctly. Data elements in this cell shall sum up to the AllocationSharePercentage. | Multiple Decimal | O | 0.5 |
| 14 | ICPN | The ICPN used as proxy for identification of the release. An ICPN comprises 12 or 13 digits, depending on whether it is an EAN (13) or a UPC (12). 14 character ICPNs are also permitted. | String | O | 12345678904321 |
| 15 | HostSoundCarrierCatalogNumber | The catalogue number of the host sound carrier assigned by the issuing record company. | String | O | 12345678 |
| 16 | TerritoryOfRevenueGeneration | The Territory in which the revenue was generated. | AVS | M | DE |
| 17 | UseType | A type of usage that a Licensee has made of the Resource and for which the revenue was generated. | AVS | O | Broadcast |
| 18 | LicenseeName | The Name of the company whose licensed output has generated the revenue. | String | O | BBC |
| 19 | LicenseeId | The PartyId of the Licensee. | PartyID | O | ISNI::0000000081266409 |
| 20 | UsageSourceName | The name of the source of usage reporting that has been used to allocate revenue to the Resource. | String | O | BBCOne |
| 21 | UsageSourceId | The PartyId of the UsageSource. | PartyID | O | ISNI::0000000081266409 |
| 22 | AllocationGuidance | Information on status changes regarding the allocation for the Resource (e.g., for a previously unidentified recording, or when a conflict is solved, or for changes between rightsholders). | String | O | Previously unidentified recording |
| 23 | UsageStartDate | The StartDate of the usage Period covered by the Record (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO Date | M | 2014-12-01 |
| 24 | UsageEndDate | The EndDate of the usage Period covered by the Record (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO Date | M | 2014-12-01 |
| 25 | RevenuePoolName | The name of a collection of revenues (whether from a single licensee or multiple licensees) which is allocated. | String | O | Small Webcasters |
| 26 | BasisForRevenueAllocation
| The description of whether the distribution used a usage log, full census etc. | AVS | O | FullCensus |
| 27 | UnitTypeForRevenueAllocation
| The basis used for the current Record. It is possible to have mixed types within a report. | AVS | O | Seconds |
| 28 | UnitRate | The rate applied to each Usage in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | O | 0.0905 |
| 29 | Usages | The Number of units of usage of the Resource. | Decimal | O | 321.5 |
| 30 | AllocationSharePercentage | Percentage of gross revenue allocated to the Resource with respect to the SummaryType (in the RS01 Record) which is allocated to the AllocatedParty (i.e. the percentage relates to a record company's ownership share). A quarter share is represented by “25” (and not 0.25). This cell is the sum of all AllocatedPartyContributionSharePercentages (if provided). This cell is conditionally mandatory for record companies (i.e. when the SummaryType is RightsController). | Decimal | C | 33.33 |
| 31 | ReallocationFrom | Revenue allocated to a performance which does not qualify for equitable remuneration and is re-allocated to the Rights Controller. | Decimal | O | 1.24 |
| 32 | CollectingMlcGrossAmount | The Collecting MusicLicensingCompany's gross amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | O | 1152.24 |
| 33 | PayingMlcGrossAmount | The Paying MusicLicensingCompany's gross amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). The sum of the gross amounts of all detailed records adds up to this. | Decimal | M | 1152.24 |
| 34 | CollectingMlcCommission | The Collecting MusicLicensingCompany's commission amount or administrative fee in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 35 | PayingMlcCommission | The Paying Music Licensing Company's commission amount or administrative fee in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 36 | CollectingMlcOtherDeductions | The Collecting Music Licensing Company's other deduction amounts in the CurrencyOfAccounting (communicated in the relevant RS01 Record). If several values are specified, the types need to be provided in CollectingMlcOtherDeductionTypes. The order of the individual data elements in CollectingMlcOtherDeductions and CollectingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. These amounts are deducted from the gross amount and therefore negative numbers. An addition to the gross amount can be expressed by using a positive number. | Multiple Decimals | O | -52.24|-72.66 |
| 37 | CollectingMlcOtherDeductionTypes | The type of deductions specified in the CollectingMlcOtherDeductions. This only needs to be provided if several values are given in CollectingMlcOtherDeductions. The order of the individual data elements in CollectingMlcOtherDeductions and CollectingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. | Multiple String | O | TradeUnion|Culture |
| 38 | PayingMlcOtherDeductions | The Paying Music Licensing Company's other deduction amounts in the CurrencyOfAccounting (communicated in the relevant RS01 Record). If several values are specified, the types need to be provided in PayingMlcOtherDeductionTypes. The order of the individual data elements in PayingMlcOtherDeductions and PayingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. These amounts are deducted from the gross amount and therefore negative numbers. An addition to the gross amount can be expressed by using a positive number. | Multiple Decimals | O | -52.24|-72.66 |
| 39 | PayingMlcOtherDeductionTypes | The type of deductions specified in the PayingMlcOtherDeductions. This only needs to be provided if several values are given in PayingMlcOtherDeductions. The order of the individual data elements in PayingMlcOtherDeductions and PayingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. | Multiple String | O | TradeUnion|Culture |
| 40 | CollectingMlcInterest | The Collecting MusicLicensingCompany's interest amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 52.24 |
| 41 | PayingMlcInterest | The Paying MusicLicensingCompany's interest amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 52.24 |
| 42 | CollectingMlcWithholdingTax | The Collecting MusicLicensingCompany's withholding tax amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 43 | PayingMlcWithholdingTax | The Paying MusicLicensingCompany's withholding tax amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 44 | CollectingMlcVAT | The VAT amount of the Collecting MusicLicensingCompany in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 13.5 |
| 45 | PayingMlcVAT | The VAT amount of the Paying MusicLicensingCompany in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 13.5 |
| 46 | NetAmount | The net amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | O | 1152.24 |
Cell Name | Field Definition | Data Type | M/O/C | Example | |
|---|---|---|---|---|---|
1 | RecordType | The Type of the Record, always to contain “RD02”. | Fixed String | M | RD02 |
| 2 | AudioVisualResourceRevenueDetails | The Identifier (specific to the Message) of this Audio-visual Resource Revenue Details Record. | String | M | LK13MC |
| 3 | AllocatedPartySummaryRecordId | The AllocatedPartySummaryRecordId of the Allocated Party Summary Record that this detailed record provides details to. | String | M | A13HG65 |
| 4 | AudioVisualType | The type of the Resource with respect to its content. | AVS | M | Documentary |
| 5 | RevenueAllocationType | The type of Entity for which revenue has been allocated. | AVS | M | Episode |
| 6 | ISAN | The ISAN (International Standard Audiovisual Number as defined in ISO 15706) for the Resource. | String | O | 0000-0001-8947-0000-8-0000-0000-D |
| 7 | EIDR | An Identifier of the Video assigned by the Entertainment Identifier Registry Association (EIDR). | String | O | 10.5240/F85A-E100-B068-5B8F-B1C8-T |
| 8 | ProprietaryResourceId | The ProprietaryIdentifier of the Resource preceded by a namespace identifier in the syntax ns::id. This should be specified if no ISAN and no EIDR is given. | String::String | C | myns::4534 |
| 9 | ResourceTitle | The ReferenceTitle of the Resource. | String | M | Starring the Saint |
| 10 | SeriesTitle | The Title of a Series in which the Resource is included. | String | O | The Saint |
| 11 | SeasonNumber | The number of a Season in which the Resource is included. | Integer | O | 2 |
| 12 | EpisodeNumber | The number indicating the order of the Episodes within a Season (if available) or Series. | Integer | O | 2 |
| 13 | Genre | The Genre of the Work. | String | O | Crime |
| 14 | ContributorName | The Name of a Contributor of the Resource. This information is purely for the purpose of helping to identify the Resource to which revenue was allocated, and is not specifying the party to whom revenue has been allocated for a contribution to the Resource. The order of the individual data elements in ContributorName and ContributorRole shall be the same so that the recipient is able to relate them correctly. | Multiple String | O | Roger Moore [1] |
| 15 | ContributorRole | The Role of the Contributor. The order of the individual data elements in ContributorName and ContributorRole shall be the same so that the recipient is able to relate them correctly. | Multiple AVS
| C | Actor [1] |
| 16 | AllocatedPartyContributionRole | The Role for which revenue was allocated to the party for a contribution to the Resource, using the ContributorRole allowed value set defined in Clause 8.4. The order of the individual data elements in AllocatedPartyContributionRole and AllocatedPartyContributionSharePercentage shall be the same so that the recipient is able to relate them correctly. | Multiple AVS | O | Actor|Director[1] |
| 17 | AllocatedPartyContribution | The percentage of gross revenue allocated to the Resource with respect to the SummaryType (in the RS01 Record) which is allocated to the AllocatedParty in relation to the AllocatedPartyContributionRole. A quarter share is represented by “25” (and not 0.25). The order of the individual data elements in AllocatedPartyContributionRole and AllocatedPartyContributionSharePercentage shall be the same so that the recipient is able to relate them correctly. Data elements in this cell shall sum up to the AllocationSharePercentage. | Multiple Decimal | O | 5.5|10[1] |
| 18 | ProductionDate | The date when the audio-visual resource was produced, in the ISO 8601 format: YYYY[-MM[-DD]]. | ISO Date | O | 1963 |
| 19 | CreationDate | The date when the audio-visual resource was created, in the ISO 8601 format: YYYY[-MM[-DD]]. | ISO Date | O | 1963 |
| 20 | TerritoryOfRevenueGeneration | The Territory in which the revenue was generated. | AVS | M | DE |
| 21 | UseType | A type of usage that a Licensee has made of the Resource and for which the revenue was generated. | AVS | O | Broadcast |
| 22 | LicenseeName | The Name of the company whose licensed output has generated the revenue. | String | O | BBC |
| 23 | LicenseeId | The PartyId of the Licensee. | PartyID | O | ISNI::0000000081266409 |
| 24 | UsageSourceName | The name of the source of usage reporting that has been used to allocate revenue to the Resource. | String | O | BBCOne |
| 25 | UsageSourceId | The PartyId of the UsageSource. | PartyID | O | ISNI::0000000081266409 |
| 26 | UsageStartDate | The StartDate of the usage Period covered by the Record (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO Date | M | 2014-12-01 |
| 27 | UsageEndDate | The EndDate of the usage Period covered by the Record (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO Date | M | 2014-12-01 |
| 28 | RevenuePoolName | The name of a collection of revenues (whether from a single licensee or multiple licensees) which is allocated. | String | O | Small Webcasters |
| 29 | BasisForRevenueAllocation | The description of whether the distribution used a usage log, full census etc. | AVS | O | FullCensus |
| 30 | UnitTypeForRevenueAllocation | The basis used for the current Record. It is possible to have mixed types within a report. | AVS | O | Seconds |
| 31 | UnitRate | The rate applied to each Usage in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | O | 0.0905 |
| 32 | Usages | The Number of units of usage of the Resource. | Decimal | O | 321.5 |
| 33 | AllocationSharePercentage | Percentage of gross revenue allocated to the Resource with respect to the SummaryType (in the RS01 Record) which is allocated to the AllocatedParty (i.e. the percentage relates to a record company's ownership share). A quarter share is represented by “25” (and not 0.25). This cell is the sum of all AllocatedPartyContributionSharePercentages (if provided). This cell is conditionally mandatory for record companies (i.e. when the SummaryType is RightsController). | Decimal | C | 33.33 |
| 34 | ReallocationFrom | Revenue allocated to a performance which does not qualify for equitable remuneration and is re-allocated to the Rights Controller. | Decimal | O | 1.24 |
| 35 | CollectingMlcGrossAmount | The Collecting MusicLicensingCompany's gross amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | O | 1152.24 |
| 36 | PayingMlcGrossAmount | The Paying MusicLicensingCompany's gross amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). The sum of the gross amounts of all detailed records adds up to this. | Decimal | M | 1152.24 |
| 37 | CollectingMlcCommission | The Collecting Music Licensing Company's commission amount or administrative fee in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number | Decimal | O | -52.24 |
| 38 | PayingMlcCommission | The Paying Music Licensing Company's commission amount or administrative fee in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 39 | CollectingMlcOtherDeductions | The Collecting Music Licensing Company's other deduction amounts in the CurrencyOfAccounting (communicated in the relevant RS01 Record). If several values are specified, the types need to be provided in CollectingMlcOtherDeductionTypes. The order of the individual data elements in CollectingMlcOtherDeductions and CollectingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. These amounts are deducted from the gross amount and therefore negative numbers. An addition to the gross amount can be expressed by using a positive number. | Multiple Decimals | O | -52.24|-72.66 |
| 40 | CollectingMlcOtherDeductionTypes | The type of deductions specified in the CollectingMlcOtherDeductions. This only needs to be provided if several values are given in CollectingMlcOtherDeductions. The order of the individual data elements in CollectingMlcOtherDeductions and CollectingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. | Multiple String | O | TradeUnion|Culture |
| 41 | PayingMlcOtherDeductions | The Paying Music Licensing Company's other deduction amounts in the CurrencyOfAccounting (communicated in the relevant RS01 Record). If several values are specified, the types need to be provided in PayingMlcOtherDeductionTypes. The order of the individual data elements in PayingMlcOtherDeductions and PayingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. These amounts are deducted from the gross amount and therefore negative numbers. An addition to the gross amount can be expressed by using a positive number. | Multiple Decimals | O | -52.24|-72.66 |
| 42 | PayingMlcOtherDeductionTypes | The type of deductions specified in the PayingMlcOtherDeductions. This only needs to be provided if several values are given in PayingMlcOtherDeductions. The order of the individual data elements in PayingMlcOtherDeductions and PayingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. | Multiple String | O | TradeUnion|Culture |
| 43 | CollectingMlcInterest | The Collecting Music Licensing Company's interest amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 52.24 |
| 44 | PayingMlcInterest | The Paying Music Licensing Company's interest amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 52.24 |
| 45 | CollectingMlcWithholdingTax | The Collecting Music Licensing Company's withholding tax amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 46 | PayingMlcWithholdingTax | The Paying Music Licensing Company's withholding tax amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 47 | CollectingMlcVAT | The VAT amount of the Collecting Music Licensing Company in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 13.5 |
| 48 | PayingMlcVAT | The VAT amount of the Paying Music Licensing Company in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 13.5 |
| 49 | NetAmount | The net amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | O | 1152.24 |
Cell Name | Field Definition | Data Type | M/O/C | Example | |
|---|---|---|---|---|---|
1 | RecordType | The Type of the Record, always to contain “RD03”. | Fixed String | M | RD03 |
| 2 | OtherRevenueDetailsRecordId | The Identifier (specific to the Message) of this Record detailing revenues not directly attributable to a Resource. | String | M | LK13MC |
| 3 | AllocatedPartySummaryRecordId | The AllocatedPartySummaryRecordId of the Allocated Party Summary Record that this detailed record provides details to. | String | M | A13HG65 |
| 4 | TerritoryOfRevenueGeneration | The Territory in which the revenue was generated. | AVS | O | DE |
| 5 | UseType | A type of usage that a Licensee has made of the Resource and for which the revenue was generated. | AVS | O | Broadcast |
| 6 | LicenseeName | The Name of the company whose licensed output has generated the revenue. | String | O | BBC |
| 7 | LicenseeId | The PartyId of the Licensee. | PartyID | O | ISNI::0000000081266409 |
| 8 | UsageSourceName | The name of the source of usage reporting that has been used to allocate revenue to the Resource. | String | O | BBCOne |
| 9 | UsageSourceId | The PartyId of the UsageSource. | PartyID | O | ISNI::0000000081266409 |
| 10 | UsageStartDate | The StartDate of the usage Period covered by the Record (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO Date | O | 2014-12-01 |
| 11 | UsageEndDate | The EndDate of the usage Period covered by the Record (in ISO 8601 format). This is a string with the syntax YYYY[-MM[-DD]]. | ISO Date | O | 2014-12-01 |
| 12 | RevenuePoolName | The name of a collection of revenues (whether from a single licensee or multiple licensees) which is allocated. | String | O | Small Webcasters |
| 13 | BasisForRevenueAllocation | The description of whether the distribution used a usage log, full census etc. | AVS | O | MarketShare |
| 14 | ReallocationFrom NonQualifyingPerformance | Revenue allocated to a performance which does not qualify for equitable remuneration and is re-allocated to the Rights Controller. | Decimal | O | 1.24 |
| 15 | CollectingMlcGrossAmount | The Collecting MusicLicensingCompany's gross amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | O | 1152.24 |
| 16 | PayingMlcGrossAmount | The Paying MusicLicensingCompany's gross amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). The sum of the gross amounts of all detailed records adds up to this. | Decimal | M | 1152.24 |
| 17 | CollectingMlcCommission | The Collecting Music Licensing Company's commission amount or administrative fee in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 18 | PayingMlcCommission | The Paying Music Licensing Company's commission amount or administrative fee in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 19 | CollectingMlcOtherDeductions | The Collecting Music Licensing Company's other deduction amounts in the CurrencyOfAccounting (communicated in the relevant RS01 Record). If several values are specified, the types need to be provided in CollectingMlcOtherDeductionTypes. The order of the individual data elements in CollectingMlcOtherDeductions and CollectingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. These amounts are deducted from the gross amount and therefore negative numbers. An addition to the gross amount can be expressed by using a positive number. | Multiple Decimals | O | -52.24|-72.66 |
| 20 | CollectingMlcOtherDeductionTypes | The type of deductions specified in the CollectingMlcOtherDeductions. This only needs to be provided if several values are given in CollectingMlcOtherDeductions. The order of the individual data elements in CollectingMlcOtherDeductions and CollectingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. | Multiple Strings | O | TradeUnion|Culture |
| 21 | PayingMlcOtherDeductions | The Paying Music Licensing Company's other deduction amounts in the CurrencyOfAccounting (communicated in the relevant RS01 Record). If several values are specified, the types need to be provided in PayingMlcOtherDeductionTypes. The order of the individual data elements in PayingMlcOtherDeductions and PayingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. These amounts are deducted from the gross amount and therefore negative numbers. An addition to the gross amount can be expressed by using a positive number. | Multiple Decimals | O | -52.24|-72.66 |
| 22 | PayingMlcOtherDeductionTypes | The type of deductions specified in the PayingMlcOtherDeductions. This only needs to be provided if several values are given in PayingMlcOtherDeductions. The order of the individual data elements in PayingMlcOtherDeductions and PayingMlcOtherDeductionTypes shall be the same so that the recipient is able to relate them correctly. | Multiple Strings | O | TradeUnion|Culture |
| 23 | CollectingMlcInterest | The Collecting Music Licensing Company's interest amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 52.24 |
| 24 | PayingMlcInterest | The Paying Music Licensing Company's interest amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 52.24 |
| 25 | CollectingMlcWithholdingTax | The Collecting Music Licensing Company's withholding tax amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 26 | PayingMlcWithholdingTax | The Paying Music Licensing Company's withholding tax amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is deducted from the gross amount and therefore a negative number. A refund, which will be added to the gross amount, can be expressed by using a positive number. | Decimal | O | -52.24 |
| 27 | CollectingMlcVAT | The VAT amount of the Collecting Music Licensing Company in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 13.5 |
| 28 | PayingMlcVAT | The VAT amount of the Paying Music Licensing Company in the CurrencyOfAccounting (communicated in the relevant RS01 Record). This amount is added to the gross amount and therefore a positive number. A refund, which will be subtracted from the gross amount, can be expressed by using a negative number. | Decimal | O | 13.5 |
| 29 | NetAmount | The net amount in the CurrencyOfAccounting (communicated in the relevant RS01 Record). | Decimal | O | 1152.24 |
8 Allowed Value Sets
This Clause lists all allowed value sets with their allowed values and definitions that are valid within this standard.
Allowed values are listed, defined and provided in accordance with the DDEX Data Dictionary and the latest version of the DDEX Data Dictionary Standard. To override a DDEX-defined value, some allowed value sets provide the DDEX-defined value “UserDefined”, followed by a single space character and a string representing the term to be communicated. This string shall only comprise lower case letters, upper case letters or digits, e.g. "UserDefined StreamInOnlineGame". Such user-defined values will need to be agreed between Message Sender and Message Recipient and users are encouraged to raise these issues with DDEX with a view to having these values added to the list of DDEX-defined allowed values.
| Allowed Value Set & Allowed Value | Definition | |
| AudioVisualType | The type of the Resource with respect to its content. | |
|---|---|---|
| AdultContent | Content, such as pornography or violence, that is not generally thought to be appropriate for viewing by children. | |
| AdvertisementVideo | A Video which promotes a product, service, idea, person or company, including promotional material for consumer products, services shown in theaters, infomercials or on digital signage. | |
| AdviceMagazine | A Magazine that provides information about general topics for a broad audience. | |
| Animation | An audio-visual Recording using a rapid display of a sequence of images of 2-D or 3-D artwork or model positions in order to create an illusion of movement. | |
| BalletVideo | A Video recording of a ballet Performance. | |
| BehindTheScenes | An audio-visual Recording documenting events happening behind the scenes. | |
| BlackAndWhiteVideo | An audio-visual Recording in black and white. | |
| ChildrensFilm | A FeatureFilm or TvFilm for an audience of children. | |
| ColorizedVideo | A Video that has been colorised. | |
| ColumnVideo | A Video of a recurring piece or feature in a radio or TV program. | |
| ConcertClip | An extract of a ConcertVideo. | |
| ConcertVideo | A Video recording of a live Performance, usually of music, before an audience. | |
| CorporateFilm | An audio-visual Recording made for use within a corporate entity. Examples include company-internal training videos. | |
| Credits | An audio-visual Recording that presents the list of Contributors to an audio-visual production. | |
| DramaticoMusicalVideo | An audio-visual Recording that is derived from a DramaticoMusicalWork. | |
| Documentary | An audio-visual Recording that presents a social, political, scientific or historical subject. Documentaries include current affairs programmes, TV magazines, biographies and 'making of' programs. | |
| EducationalVideo | An audio-visual Recording of traditional training, coursework, classroom or distance learning. Such Videos are primarily intended to educate rather than entertain. | |
| FeatureFilm | An audio-visual Recording made for initial distribution in cinemas, where it would be the 'main attraction' of the screening, or prime-time television. | |
| Fiction | A fictional audio-visual Recording. | |
| InfomercialVideo | A Video created to advertise a Product or Service in an informative way. | |
| InteractiveResource | A Resource which can be interacted with by a User. | |
| Interview | An audio-visual Recording of an interview. | |
| Karaoke | A Video for Karaoke applications, typically for singing along to. | |
| LiveEventVideo | An audio-visual Recording capturing an Event such as a sporting event, theatrical performances, etc. This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. | |
| LongformMusicalWorkVideo | A Video of an extended duration typically containing multiple tracks embodying at least one MusicalWork. Example: a concert video. LongFormMusicalWorkVideos are typically identified by an ISRC. | |
| LongformNonMusicalWorkVideo | A Video of an extended duration not embodying a MusicalWork. | |
| LyricVideo | An audio-visual Recording (often a slide show), with captions showing the lyrics. | |
| Magazine | An audio-visual Recording of a regular television or radio programme comprising a variety of topical items. | |
| Menu | An aid to navigate through a Video which may be organized, e.g., into chapters. Menus are typically used on a DVD-Video. | |
| MultimediaVideo | An audio-visual Recording offering interactivity. | |
| MusicalWorkClip | An extract from a Video, embodying a MusicalWork. | |
| MusicalWorkReadalongVideo | A Video to read along to, and interact with, stories and songs, embodying a MusicalWork | |
| MusicalWorkTrailer | A Video created for specifically to promote another Video, embodying a MusicalWork. | |
| MusicalWorkVideoChapter | A VideoChapter embodying a MusicalWork | |
| News | An audio-visual Recording, usually regularly scheduled, which reports current events. | |
| NonMusicalWorkCliop | An extract from a Video, not specifically embodying a MusicalWork. | |
| NonMusicalWorkReadalongVideo | A Video to read along to, and interact with, stories and songs, not embodying a MusicalWork. | |
| NonMusicalWorkTrailer | A Video created for specifically to promote another Video, not embodying a MusicalWork. | |
| NonMusicalWorkVideoChapter | A VideoChapter not embodying a MusicalWork. | |
| OperaVideo | A Video recording of Performance of an opera. | |
| Performance | An audio-visual Recording of a Performance such as recitation, magic, circus, stand-up comedy, burlesque, vaudeville or other variety stage act. This does not include concerts, dance, music, opera, theatrical productions. | |
| ReadalongVideo | A Video to read along to, and interact with, stories and songs. | |
| RealityTvShowVideo | A TvShowVideo of supposedly unscripted real-life contexts. | |
| ShortFilm | A fictional audio-visual Recording with an original length less than that of a FeatureFilm. This does not include short animated films. | |
| ShortFormMusicalWorkVideo | A Video whose audio content corresponds exactly or approximately to that of an audio-only Single which embodies at least one MusicalWork. ShortFormMusicalWorkVideos are typically identified by an ISRC. | |
| ShortFormNonMusicalWorkVideo | A Video of a short ended duration not specifically embodying a MusicalWork. | |
| SilentVideo | An audio-visual Recording without sound. | |
| SketchVideo | A Video recording of a short satirical theatrical Performance. | |
| SoapSitcom | A Video recording of a work, comprising of episodes, involving the same main performers, with a unity of place and generally broadcasted on a daily basis. | |
| SpecialEvent | An audio-visual Recording capturing an Event not related to sport or performances or concerts, such as a political convention or a talk show. | |
| Sport | An audio-visual Recording of a sporting Event. | |
| TheatricalWorkVideo | A Video recording of Performance of a theatrical work. | |
| TrailerVideo | A Video not specifically embodying a MusicalWork specifically created to promote another Video. | |
| TvFilm | A fictional audio-visual Recording made specifically for initial broadcasting on television networks. | |
| TvProgram | An audio-visual Recording of a regular television or radio programme. | |
| TvShowVideo | A Video recording of a TV show including reality programmes, magazines, variety shows, game shows. TvShowVideo should be used when no other value of avs:VideoType is appropriate. | |
| Unknown | A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. | |
| UserDefined | A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. | |
| VideoChapter | A section of a Video defined by a start and end point. Typical VideoChapters are MusicalWorkVideoChapter or NonMusicalWorkVideoChapter. | |
| VideoClip | A shortened Video. | |
| VideoReport | An audio-visual Recording of an account or statement describing in detail an event, situation, or the like, usually as the result of observation, inquiry, investigation. | |
| VideoStem | An unedited audio-visual Recording that was recorded as part of a Session to produce, for instance, a ShortFormMusicalWorkVideo, but that has not been incorporated into the final version. | |
| WebResource | A Resource that is accessible in the WWW. | |
| Allowed Value Set & Allowed Value | Definition | |
BasisForRevenueAllocation | The description of whether the distribution used a usage log, full census etc. | |
|---|---|---|
| FullCensus | A distribution allocation made on the basis of a full census of the usage of Resources by the Licensee(s) that has generated the revenue, during the usage period. | |
| FullUsageLog | A distribution allocation made on the basis of the log(s) of usage of Resources over the usage period reported by the Licensee(s) that has generated the revenue. | |
| MarketShare | A distribution allocation made on the basis of the Allocated Party’s relative market share. | |
| Proxy | A distribution allocation made on the basis of proxy source(s) of usage of Resources, considered to be representative of that of the Licensee(s) over the usage period. | |
| SalesFigures | A distribution allocation made on the basis of reported sales of a Resource. | |
| SampleCensus | A distribution allocation made on the basis of a sample census of the usage of Resources by the Licensee(s) that has generated the revenue, during the usage period. The sample may be for a subset of the usage period, or a subset of the Licensee(s)’s output (e.g. a subset of broadcast channels). | |
| SampleUsageLog | A distribution allocation made on the basis of a sample of the log(s) of usage of Resources over the usage period reported by the Licensee(s) that has generated the revenue. The sample may be for a subset of the usage period, or a subset of the Licensee(s)’s output (e.g. a subset of broadcast channels). | |
| UnitMultipliedByDuration | A distribution allocation made on the basis of reported unit sales of a Resource multiplied by its duration. | |
| UserDefined | A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. | |
| Allowed Value Set & Allowed Value | Definition | |
| ContributorRole | The Role of the Contributor. | |
|---|---|---|
| Accompanyist | A Party who plays a musical Instrument while another Person is singing (or playing another instrument). | |
| Actor | A Party who performs spoken word or mime. | |
| AdditionalEngineer | An Engineer that has worked on a smaller percentage of a project tham the main Engineer. | |
| AdditionalMixingEngineer | A SoundEngineer responsible for contributing additional mixes to a recording. | |
| AdditionalPerformer | A Performer that is not a LeadPerformer. | |
| AdditionalProgrammingEngineer | An ProgrammingEngineer that has worked on a smaller percentage of a project than the main ProgrammingEngineer. | |
| AdditionalStudioProducer | A StudioProducer who makes a minor additional contribution to a recording. | |
| AnchorPerson | A Party acting as the central moderator of a program. | |
| AnimalTrainer | A Party who trains and looks after animals. | |
| Animator | A Party who creates an animated work. | |
| Annotator | A Party who makes annotations on a manuscript. | |
| Announcer | A Party reading news or describing events. | |
| AAndRAdministrator | A Party handling the administrative elements of the A&R department and maintaining the budgets for artists signed to a label by working with accounting and legal personnel. | |
| AAndRCoordinator | A Party responsible for searching new Artists for a record label (artist and repertoire coordinator). | |
| Armourer | A Party responsible for the supply and safety of weapons in a production. | |
| ArtCopyist | A Creator of a copy of a piece of art. | |
| ArtDirector | A Director who oversees the Artists and craftspeople who build the sets. | |
| Artist | A principal Contributor to a Performance of a MusicalWork or a NonMusicalWork that results in the creation of a Resource, or a principal creative Contributor to a Resource that is not a result of a Performance. Note: Used for naming groups as well as individuals. | |
| ArtistBackgroundVocalEngineer | An Engineer responsible for the recording of Artist Background Vocals. | |
| ArtistVocalEngineer | An Engineer responsible for the process of recording vocals on a project and dealing with technical issues and decisions. He or she operates the recording equipment (or supervises the operation of the recording equipment) during vocal Performances and makes aesthetic choices in order to obtain the sound and concepts the artist and producer are looking for. | |
| ArtistVocalSecondEngineer | An assistant of an ArtistVocalEngineer. | |
| AssistantCameraOperator | An assistant of a CameraOperator. | |
| AssistantChiefLightingTechnician | A Party who is the second head of the LightingTechnicians. | |
| AssistantConductor | An assistant of a Conductor. An AssistantConductor is not a subordinate to the Conductor, but rather a collaborator or at least on a somewhat equal level. | |
| AssistantDirector | An assistant of a Director. | |
| AssistantEditor | An assistant of an Editor (aka editorial assistant). This role is both an editorial and an administrative role. | |
| AssistantEngineer | An Engineer responsible for assisting another Engineer(s). They often keep all logs of Sessions and materials and operate equipment. They should also have enough engineering skills that they can step in for an Engineer in case of an absence. | |
| AssistantProducer | A Party who is delegated some area of responsibility on a project, but reports to the Producer or CoProducer(s) (aka additional producer). | |
| AssistantVisualEditor | An assitant of a VisualEditor. | |
| AssociatedPerformer | An Artist commonly associated with a Work as one of its Performers, and whose identity is only used for accurate Work identification. | |
| AssociateProducer | A junior Producer. | |
| AuralTrainer | A Party who trains Performers in the development of aural skills. | |
| BackgroundVocalist | A Party who sings in the background. | |
| BalanceEngineer | A Party primary or actively responsible for the process of recording and/or mixing a project as well as technical issues and decisions. The Engineer operates (or oversees the operation of) the equipment during the recording process and makes creative and aesthetic choices in collaboration with the Artist and producer in order to realize the sounds and concepts envisioned for the project. In the classical world, this is often referred to as a balance engineer. | |
| BandLeader | The principal member of a MusicGroup. | |
| Binder | A Party who binds an item. | |
| BindingDesigner | A Designer of a book binding. | |
| BookDesigner | A Designer of a book (including arrangement of type and illustration, choice of materials, etc.). | |
| BookjackDesigner | A Designer of a dust jacket for a book. | |
| BookplateDesigner | A Designer of a bookplate (an identification label commonly on the inside front cover of books). | |
| BookProducer | A producer of a book. | |
| BroadcastAssistant | A Party providing general support in the production of a radio programme. | |
| BroadcastJournalist | A Party working as a Journalist for a broadcast programme. | |
| Calligrapher | A Creator of artistic handwriting or lettering. | |
| CameraOperator | A Party operating a camera. | |
| Carpenter | A Party who carries out woodwork. | |
| Cartographer | A Creator of a map or other cartographic work. | |
| Cartoonist | A Creator of a cartoon. | |
| CastingDirector | A Party selecting talent (Actors, singers, Dancers, etc.). | |
| Causeur | A Party who gives an informal lecture, typically on radio. | |
| Censor | An Editor who examines Creations and removes objectionable content. | |
| ChiefLightingTechnician | A Party who is the head of the LightingTechnicians. | |
| Choir | A group of Parties who perform vocally together. Typically, Choirs consist of at least 2 people in an combination of different vocal ranges. | |
| ChoirMember | A member of a Choir. | |
| Choreographer | A Creator of a dance. | |
| ChorusMaster | A Conductor who directs Vocalists in a Choir. | |
| CircusArtist | An Artist with skills that are typical for circus performances. | |
| ClapperLoader | A Party who operates the clapboard at the beginning of a shot. | |
| ClubDJ | A Party who announces and plays recorded music in a music club. | |
| CoDirector | A Director who is sharing some or all of a director's responsabilities with a Director or another CoDirector. | |
| CoExecutiveProducer | An ExecutiveProducer who is not the only ExecutiveProducer. | |
| ColorSeparator | A Party responsible for separating the original artwork into individual color components for printing. | |
| Comedian | An Artist who makes people laugh (by telling funny stories or by acting). | |
| CoMixer | One of a group of Artists who creates an original master album or single mix. | |
| CoMixingEngineer | A Party who is sharing some or all of a mixing engineer's responsabilities with a MixingEngineer or another CoMixer. | |
| Commentator | A Party who provides interpretation, analysis, or a discussion of a subject matter. | |
| CommissioningBroadcaster | A Party commissioning material for a broadcast programme. | |
| CompilationProducer | A producer responsible for supervising and/or exercising control over the work assigned to other Producers, Engineers, and others on the project. | |
| ComputerGraphicCreator | A Creator of computer graphics. | |
| ComputerProgrammer | A Creator of a computer program. | |
| ConcertMaster | The leader of the first violin section in an Orchestra. | |
| Conductor | A Party who leads or conducts a Performance by a group of Musicians. | |
| Consultant | A Party giving professional advice on matters of production technique or on content who does not appear in the programme. | |
| ContinuityChecker | A Party who checks the continuity of a series of camera shots. | |
| Contractor | A Party who is hired to perform work. | |
| CoProducer | A producer who is sharing some or all of a producer's responsabilities with a Producer or another CoProducer. | |
| Correspondent | A Party who is the writer of a letter or other communication. | |
| CostumeDesigner | A Designer of a costume. | |
| CoverDesigner | A Designer of a cover. | |
| Dancer | A Party who performs a dance. | |
| Delineator | A Creator of technical drawings derived from designs made by other people. | |
| Designer | A Creator of a design. | |
| DialogueCoach | A Party who helps train an Actor in diction and/or the use of dialects. | |
| DialogueDirector | A Party responsible for assembling, synchronizing, and editing all the dialogues in a film or television production. | |
| DigitalAudioWorkstationEngineer | An Engineer is responsible for the operation of a Digital Audio Workstation (DAW) during recording and mix sessions including the archiving and maintenance of the recorded material (basically data files). The DigitalAudioWorkstationEngineer is not generally called upon to make major aesthetic judgments. | |
| DigitalEditingEngineer | An Engineer responsible for operating equipment for editing (in today’s world generally a digital audio workstation). They can, from time to time, be called on to make aesthetic choices. | |
| DigitalEditingSecondEngineer | An assistant of a DigitalEditingEngineer. | |
| Director | A Party who leads or supervises actors, e.g. in the prodution of a movie. | |
| DirectStreamDigitalEngineer | A Party responsible for the functioning and maintenance of digital recordings using Direct Stream Digital format equipment. | |
| DistributionCompany | An Organization responsible for delivering material provided by a ProductionCompany. | |
| DJ | A Party who announces and plays recorded music. | |
| Draughtsman | A Creator of a plan for constructing something. | |
| Dresser | A Party who helps an Actor to put on and take off a costume. | |
| Dubber | A Creator who adds the dubbing into a Resource. | |
| Editor | A Party responsible for the preparation of a publication. | |
| EditorInChief | The head of editorial staff. | |
| EditorOfTheDay | A Party responsible for the preparation of a news broadcast of the day. | |
| Encoder | A Creator processing and encoding a Resource for distribution. | |
| Engineer | A Party that is responsible for technical aspects. This includes RecordingEngineer, but may also cover roles in other content production processes. | |
| Ensemble | A group of two or more Parties performing a MusicalWork together. Note: An Ensemble may be of any size or any grouping of Performers from a vocal duo to a full orchestra. | |
| ExecutiveProducer | A Party who secures funding for a project. He or she may be responsible for the overall concept. He or she may monitor the project from time to time to ensure that the producer and Artist are on track. | |
| Expert | A Party who contributes his expertise to a programme. | |
| Facsimilist | A Creator of a copy. | |
| FightDirector | A Director responsible for the choreography of fight scenes. | |
| FilmDirector | A Director of a movie. | |
| FilmDistributor | A Publisher of films. | |
| FilmEditor | A Party who edits an audio-visual production for publishing. | |
| FilmProducer | A Party (individual or company) that is responsible for the financing of an audio-visual production. | |
| FilmSoundEngineer | A Party that is responsible for (part of) the soundtrack used in an audio-visual Resource. | |
| FloorManager | A Party acting on the studio floor on behalf of the Director. | |
| FocusPuller | A CameraOperator who adjusts the focus of the camera. | |
| FoleyArtist | A Party who creates incidental sound effects in post-production. | |
| FoleyEditor | A Party who edits sound effects created by a FoleyArtist. | |
| FoleyMixer | A SoundMixer who works with a FoleyArtist to create sound effects. | |
| GraphicArtist | A Creator of a drawing. | |
| GraphicAssistant | A Party drawing pictures or picture elements as content for programmes. | |
| GraphicDesigner | A Designer of graphical elements. | |
| Greensman | A Party procuring and maintaining vegetation on a set. | |
| Grip | A Party supporting CameraOperators and LightingTechnicians with specialized equipment (e.g. camera cranes). | |
| GuestConductor | A Conductor who is working with an Orchestra on a temporary basis. | |
| GroupMember | A Person that is a member of a MusicGroup. | |
| Hairdresser | A Party who prepares the hair of an Actor. | |
| Illustrator | A Creator of an illustration. | |
| ImmersiveMixingEngineer | A MixingEngineer that is particularly working on mixes beyond stereo, inclusive of surround sound. | |
| InitialProducer | A Party that initiates the creation of a SoundRecording or Resource and is sometimes referred to as a commissioning rights holder. An InitialProducer may be a Person or an Organization and the term contrasts with the role of a StudioProducer. | |
| InterviewedGuest | A Party who is interviewed. | |
| Interviewer | A Party who interviews, i.e. talks to somebody for the purpose of eliciting his opinions. | |
| KeyCharacter | A central or primary Character in a storyline. | |
| KeyGrip | A Party who is the head of the Grips. | |
| KeyTalent | A Party performing as a leading character. | |
| Leadman | A Party who is responsible for the crew in charge of the set decoration. | |
| LeadPerformer | A Performer that plays the role of the protagonist in a film or play. | |
| LeadVocalist | A Party who is a lead Vocalist. | |
| LightingDirector | A Party responsible for the lighting. | |
| LightingTechnician | A Party operating lighting equipment. | |
| LocationManager | A Party managing all aspects relating to filming in specific places. | |
| MakeUpArtist | A Party who prepares the make up of an Actor. | |
| Manufacturer | A Party responsible for manufacturing a device or a piece of technical equipment. | |
| MasteringEngineer | An Engineer who is the last creative bridge between the mix process and the distribution process. He or she generally works with a final mix of a project and makes final adjustments to the sound before distribution while maintaining the vision of the artist, producer and label. | |
| MasteringSecondEngineer | An assistant of a MasteringEngineer (aka assistant mastering engineer). | |
| MatteArtist | A Party who creates artworks used in making scenery and locations that do not exist. | |
| Mime | An Actor who performs a purely gestural performance. | |
| Mixer | An Artist who creates an original master album or single mix. | |
| MixingEngineer | An Engineer combining different audio recording elements into a final version. | |
| MixingSecondEngineer | An assistant of a MixingEngineer (aka assistant mixing engineer). | |
| MusicArranger | An Arranger who adds the final touches or subtle nuances to the musical arrangement of a recording. | |
| MusicCopyist | A Creator of a copy of a Composer or Arranger's manuscript. | |
| MusicDirector | A Director responsible for music in the production of a film or a radio program. | |
| MusicGroup | A group of individuals who perform vocally and/or instrumentally together. | |
| Musician | A Party who performs a MusicalWork either vocally or instrumentally. | |
| Narrator | A Party who tells a story or gives an account of an event. | |
| NewsProducer | A producer of a news program. | |
| NewsReader | A Party who reads news stories. | |
| NotSpecified | A Type used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is known, but not specified. | |
| Orchestra | A large group of Parties performing a MusicalWork together, predominantly using musical instruments rather than voice. An Orchestra is typically led by a Conductor. | |
| OrchestraMember | A member of an Orchestra. | |
| OriginalArtist | An Artist who is an original Artist. | |
| OverdubEngineer | An Engineer combining different audio recordings into an overdub. | |
| OverdubSecondEngineer | An assistant of an OverdubEngineer. | |
| Painter | A Creator of a painting. | |
| Performer | A performer of a Work. | |
| Photographer | A Creator of a Photograph. | |
| PhotographyDirector | A Director responsible for photography (aka director of photgraphy or cinematographer). | |
| PlaybackSinger | A Party who sings songs to be mimed in films by Actors. | |
| PostProducer | A producer responsible for post-production processes. | |
| PreProduction | A producer responsible for pre-production processes. | |
| PreProductionEngineer | An Engineer involved in pre-production processes. | |
| PreProductionSecondEngineer | An assistant of a PreProductionEngineer | |
| PrimaryMusician | A Party who performs a MusicalWork either vocally or instrumentally and would be considered the principal Contributor for the piece. | |
| ProductionAssistant | A Party that provides only administrative support for a Producer. | |
| ProductionCompany | An Organization responsible for a production (also called a production house). | |
| ProductionCoordinator | A Party who coordinates the activities around preparing a physical or digital Release. | |
| ProductionDepartment | A department of a ProductionCompany responsible for a production. | |
| ProductionManager | A Person who coordinates a production. | |
| ProductionSecretary | A Party providing secretarial support in a production. | |
| ProjectEngineer | An Engineer involved in a recording Project. | |
| Programmer | A Party using electronic devices, such as sequencers, to generate sounds of musical Instruments in a music production. | |
| ProgrammingEngineer | A Party responsible for the functioning and maintenance of digital recorders and digital audio workstations. | |
| ProgramProducer | A producer of a program, e.g. a TV or radio program. | |
| PropertyManager | A Party responsible for purchasing, acquiring and/or manufacturing anything needed for a production. | |
| PublishingDirector | A Party responsible for the coherence and continuity of a publication. | |
| Puppeteer | A Party who operates puppets in a Performance. | |
| Pyrotechnician | A Party operating equipment to produce fire and explosions. | |
| RecordingEngineer | A Party supervising the technical aspects of a sound or video RecordingSession. | |
| RecordingSecondEngineer | An assistant of a RecordingEngineer (aka assistant recording engineer). | |
| Redactor | An Editor who prepares text for publication. | |
| ReissueProducer | A producer of a reissue of a SoundRecording. | |
| RemixedArtist | An Artist whose work has been remixed. | |
| Remixer | An Artist who creates a finished product that is different from the original master album or single mix, e.g. a Dance Remix, Radio Remix, Rock Remix. | |
| RemixingEngineer | A MixingEngineer who creates a finished product that is different from the original master album or single mix, e.g. a Dance Remix, Radio Remix, Rock Remix. | |
| RemixingSecondEngineer | An assistant of a RemixingEngineer. | |
| Repetiteur | A Party who coaches ballet Dancers or opera singers. | |
| Researcher | A Party responsible for researching a project (e.g. gathering ideas, background information etc.). | |
| ResearchTeamHead | The head of a team of Researchers. | |
| ResearchTeamMember | A member of a team of Researchers. | |
| Restager | A Party responsible for restaging a Work (with minimal contribution to the content). | |
| Rigger | A Grip operating equipment to satisfy rigging needs on a set. | |
| RightsControllerOnProduct | A RightsController as it appears on a Product. | |
| Runner | A Party who is a junior member of the production team doing all kinds of supporting jobs. | |
| ScenicOperative | A Party in charge of a studio set. | |
| ScientificAdvisor | A Party providing scientific advice. | |
| ScriptSupervisor | A Party who tracks the progress of a production based on a script. | |
| SecondAssistantCameraOperator | An assistant of an AssistantCameraOperator. | |
| SecondAssistantDirector | An assistant of an AssistantDirector. | |
| SecondConductor | A subordinate to a Conductor. | |
| SecondEngineer | A subordinate to an Engineer. | |
| SecondUnitDirector | A Director in charge of the second unit in a film production. | |
| SeriesProducer | A Party (individual or company) that is responsible for the production of a series. | |
| SetDesigner | A Designer, also known as a stage designer, who is in charge of designing and creating the sets that appear in films, on television programmes as well as in the theatre. | |
| SetDresser | A Party in charge of decorating a set in a production. | |
| SignLanguageInterpreter | A Party translating spoken words into sign language. | |
| Soloist | A Party who performs the featured Part of a MusicalWork (or a section of it) alone or with only supporting accompaniment. | |
| SoundDesigner | A Party responsible for sound production. | |
| SoundMixer | A Party operating audio equipment to capture sound. | |
| SoundRecordist | A Party operating audio equipment to record sound. | |
| SoundSupervisor | A Party oversees the work of all sound personnel on multi-camera productions. During live programmes they are responsible for mixing sound sources for immediate transmission. | |
| Speaker | A Party who performs using his voice without singing. | |
| SpecialEffectsTechnician | A Party creating special effects. | |
| Sponsor | A Party giving financial support for an Event or a Creation. | |
| StageAssistantEngineer | An assistant of a StageEngineer. | |
| StageDirector | A Director of a stageplay. | |
| StageEngineer | An Party, also called the monitor engineer, who is responsible for the operation of the monitor mixing console, maintenance and repair of a band's in-ears, onstage, and backline gear. | |
| StoryTeller | A Performer relaying a story with dramatic or theatrical interpretation. | |
| StringEngineer | An Engineer responsible for the process of recording an Orchestra on a project and dealing with technical issues and decisions. The StringEngineer operates the recording equipment (or oversees the operation of the recording equipment) during orchestral Performances and makes aesthetic choices in order to get the sound and concepts the artist and producer are looking for. | |
| StringProducer | A StudioProducer working with the individual instruments/elements of the recording and not the overall production. | |
| StringsDirector | A director in charge of the performance of the strings section of an Orchestra. | |
| StudioConductor | A Party working as a Conductor in a studio. | |
| StudioMusician | A Party who performs a MusicalWork either vocally or instrumentally in a studio. | |
| StudioPersonnel | A Party who is employed in a studio and contributes to the making of a Resource. | |
| StudioProducer | A Party who directs, and has overall creative and technical oversight of, the entire recording project and the individual recording sessions that are a part of the project. The StudioProducer participates in and/or supervises the recording session and works directly with the Artist, Musicians and Engineers. The StudioProducer makes creative, technical and aesthetic decisions that realize the goals of both the Artist and the SoundRecording CopyrightHolder in the creation of musical content. The producer may perform, direct Performances, choose final takes or versions, and oversees the selection of songs, Musicians, singers, Arrangers, studios, etc. The StudioProducer in collaboration with the artist, assigns credits to Performers and technical personnel, and is responsible for supplying accurate crediting information to the record label or media company as official documentation. Other duties of the StudioProducer may include, but are not limited to, overseeing other staffing needs, keeping budgets and schedules, adhering to deadlines, supervising mastering and overall quality control. Note: a ddexStudio:Producer is a Person and thus may contrast with the role of an InitialProducer. | |
| Stunts | A Party performing stunts. | |
| SubtitlesEditor | A Party that is responsible for the creation of SubTitles/captions. | |
| SubtitlesTranslator | A Translator of SubTitles. | |
| SupportingActor | An Actor playing a secondary role. | |
| SurroundMixingEngineer | A MixingEngineer responsible for SurroundSound. | |
| SurroundMixingSecondEngineer | An assistant of a MixingEngineer responsible for SurroundSound. | |
| TapeOperator | A Party in charge of cueing and preparing video inserts into a program. | |
| TechnicalDirector | A Party responsible for technical aspects of a production. | |
| Tonmeister | An Engineer who is a graduate of an official Tonmeister program that includes score reading and electronics training as well education in recording, mixing and editing techniques. | |
| TrackingEngineer | A Party supervising the technical aspects of a tracking Session. | |
| TrackingSecondEngineer | An assistant of a TrackingEngineer. | |
| TransfersAndSafetiesEngineer | A Party supervising the technical aspects of a transfers and safeties Session. | |
| TransfersAndSafetiesSecondEngineer | An assistant of a Transfers&SafetiesEngineer. | |
| TransportationManager | A Party responsible for managing drivers and co-ordinating the transportation in a production. | |
| Treatment/ProgramProposal | A Party writing summaries of various aspects of a production. | |
| TypeDesigner | A Creator of a typeface. | |
| Unknown | A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. | |
| UserDefined | A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. | |
| VideoDirector | A Director of a Video. | |
| Videographer | A Party in charge of a video production. | |
| VideoMusicalDirector | A Party responsible for a music video production. The VideoMusicalDirector conceives artistic and dramatic aspects while instructing the musical act, technical crew, actors, models, and dancers. | |
| VideoProducer | A Party (individual or company) that is responsible for the financing of a Video. | |
| VisionMixer | A Party operating video equipment to mix video feeds. | |
| VisualEditor | An Editor who prepares video or film footage. | |
| VisualEffectsTechnician | A Party producing visual effects. | |
| VocalArranger | An Arranger who adds the final touches or subtle nuances to the vocal arrangement of a recording. | |
| VocalEditingEngineer | An Engineer responsible for editing the vocal elements of a recording. | |
| VocalEditingSecondEngineer | An assistant of an Engineer responsible for editing the vocal elements of a recording. | |
| VocalEngineer | An Engineer responsible for the capture of the vocal elements of a recording. | |
| Vocalist | A Party who performs using his voice. | |
| VocalSecondEngineer | An assistant to the VocalEngineer. | |
| VocalProducer | A producer with overall creative and technical control of the vocal recording on a project and the individual RecordingSessions that are a part of that project. He or she is present in the recording studio or at the location recording and works directly with the vocalist(s) and engineer. The VocalProducer makes creative and aesthetic decisions that realize the goals of both the artist and the label goals in the creation of the vocals. | |
| VoiceActor | A Party who performs using his voice. | |
| Wardrobe | A Party responsible for managing clothes and/or costumes. | |
Allowed Value Set & Allowed Value | Definition | |
CurrencyOfAccounting | The Currency in which the Revenue Allocations are accounted (represented by an ISO 4217 CurrencyCode). | |
|---|---|---|
AED | UAE Dirham. | |
AFN | Afghani. | |
ALL | Lek. | |
AMD | Armenian Dram. | |
ANG | Netherlands Antillean Guilder. | |
AOA | Kwanza. | |
ARS | Argentine Peso. | |
AUD | Australian Dollar. | |
AWG | Aruban Florin. | |
AZN | Azerbaijan Manat. | |
BAM | Convertible Mark. | |
BBD | Barbados Dollar. | |
BDT | Taka. | |
BGN | Bulgarian Lev. | |
BHD | Bahraini Dinar. | |
BIF | Burundi Franc. | |
BMD | Bermudian Dollar. | |
BND | Brunei Dollar. | |
BOB | Boliviano. | |
BOV | Mvdol. | |
BRL | Brazilian Real. | |
BSD | Bahamian Dollar. | |
BTN | Ngultrum. | |
BWP | Pula. | |
BYR | Belarusian Ruble. | |
BZD | Belize Dollar. | |
CAD | Canadian Dollar. | |
CDF | Congolese Franc. | |
CHF | Swiss Franc. | |
CLF | Unidad de Fomento. | |
CLP | Chilean Peso. | |
CNY | Yuan Renminbi. | |
COP | Colombian Peso. | |
COU | Unidad de Valor Real. | |
CRC | Costa Rican Colón. | |
CUC | Peso Convertible. | |
CUP | Cuban Peso. | |
CVE | Cabo Verde Escudo. | |
CZK | Czech Koruna. | |
DJF | Djibouti Franc. | |
DKK | Danish Krone. | |
DOP | Dominican Peso. | |
DZD | Algerian Dinar. | |
EGP | Egyptian Pound. | |
ERN | Nakfa. | |
ETB | Ethiopian Birr. | |
EUR | Euro. | |
FJD | Fiji Dollar. | |
FKP | Falkland Islands Pound. | |
GBP | Pound Sterling. | |
GEL | Lari. | |
GHS | Ghana Cedi. | |
GIP | Gibraltar Pound. | |
GMD | Dalasi. | |
GNF | Guinean Franc. | |
GTQ | Quetzal. | |
GYD | Guyana Dollar. | |
HKD | Hong Kong Dollar. | |
HNL | Lempira. | |
HRK | Kuna. | |
HTG | Gourde. | |
HUF | Forint. | |
IDR | Rupiah. | |
ILS | New Israeli Sheqel. | |
INR | Indian Rupee. | |
IQD | Iraqi Dinar. | |
IRR | Iranian Rial. | |
ISK | Iceland Króna. | |
JMD | Jamaican Dollar. | |
JOD | Jordanian Dinar. | |
JPY | Yen. | |
KES | Kenyan Shilling. | |
KGS | Som. | |
KHR | Riel. | |
KMF | Comorian Franc. | |
KPW | North Korean Won. | |
KRW | Won. | |
KWD | Kuwaiti Dinar. | |
KYD | Cayman Islands Dollar. | |
KZT | Tenge. | |
LAK | Lao Kip. | |
LBP | Lebanese Pound. | |
LKR | Sri Lanka Rupee. | |
LRD | Liberian Dollar. | |
LSL | Loti. | |
LYD | Libyan Dinar. | |
MAD | Moroccan Dirham. | |
MDL | Moldovan Leu. | |
MGA | Malagasy Ariary. | |
MKD | Denar. | |
MMK | Kyat. | |
MNT | Tugrik. | |
MOP | Pataca. | |
MRU | Ouguiya. | |
MUR | Mauritius Rupee. | |
MVR | Rufiyaa. | |
MWK | Malawi Kwacha. | |
MXN | Mexican Peso. | |
MXV | Mexican Unidad de Inversion (UDI). | |
MYR | Malaysian Ringgit. | |
MZN | Mozambique Metical. | |
NAD | Namibia Dollar. | |
NGN | Naira. | |
NIO | Córdoba Oro. | |
NOK | Norwegian Krone. | |
NPR | Nepalese Rupee. | |
NZD | New Zealand Dollar. | |
OMR | Rial Omani. | |
PAB | Balboa. | |
PEN | Sol. | |
PGK | Kina. | |
PHP | Philippine Peso. | |
PKR | Pakistan Rupee. | |
PLN | Zloty. | |
PYG | Guarani. | |
QAR | Qatari Rial. | |
RON | Romanian Leu. | |
RSD | Serbian Dinar. | |
RUB | Russian Ruble. | |
RWF | Rwanda Franc. | |
SAR | Saudi Riyal. | |
SBD | Solomon Islands Dollar. | |
SCR | Seychelles Rupee. | |
SDG | Sudanese Pound. | |
SEK | Swedish Krona. | |
SGD | Singapore Dollar. | |
SHP | Saint Helena Pound. | |
SLL | Leone. | |
SOS | Somali Shilling. | |
SRD | Surinam Dollar. | |
| SSP | South Sudanese Pound. | |
STN | Dobra. | |
SVC | El Salvador Colón. | |
SYP | Syrian Pound. | |
SZL | Lilangeni. | |
THB | Baht. | |
TJS | Somoni. | |
TMT | Turkmenistan New Manat. | |
TND | Tunisian Dinar. | |
TOP | Pa'anga. | |
TRY | Turkish Lira. | |
TTD | Trinidad and Tobago Dollar. | |
TWD | New Taiwan Dollar. | |
TZS | Tanzanian Shilling. | |
UAH | Hryvnia. | |
UGX | Uganda Shilling. | |
USD | US Dollar. | |
UYI | Uruguay Peso en Unidades Indexadas (UI). | |
UYU | Peso Uruguayo. | |
UZS | Uzbekistan Sum. | |
VES | Bolívar Soberano. | |
VND | Dong. | |
VUV | Vatu. | |
WST | Tala. | |
XAF | CFA Franc BEAC. | |
XCD | East Caribbean Dollar. | |
XOF | CFA Franc BCEAO. | |
XPF | CFP Franc. | |
YER | Yemeni Rial. | |
ZAR | Rand. | |
ZMW | Zambian Kwacha. | |
ZWL | Zimbabwe Dollar. | |
CYP | Cyprus Pound (deprecated). | |
EEK | Kroon (deprecated). | |
| LTL | Lithuanian Litas (deprecated). | |
| LVL | Latvian Lats (deprecated). | |
MTL | Maltese Lira (deprecated). | |
| MRO | Ouguiya (deprecated). | |
ROL | Old Leu (deprecated). | |
SIT | Tolar (deprecated). | |
SKK | Slovak Koruna (deprecated). | |
| STD | Dobra (deprecated). | |
| VEF | Bolívar (deprecated). | |
| Allowed Value Set & Allowed Value | Definition | |
| ResourceType | The type of the Resource. | |
|---|---|---|
| MusicVideo | An audio-visual Recording of the performance of a musical work. | |
| SoundRecording | An audio Recording. | |
| Allowed Value Set & Allowed Value | Definition | |
| RevenueAllocationType | The type of Entity for which revenue has been allocated. | |
|---|---|---|
| Episode | A Part of a Series made available at a specific point in time. It may be that a Season or Series is not yet complete when an Episode is made available. Episodes include "pilots". | |
| NonSerial | A Recording that is not a Series and not a part of a Series. | |
| Season | A Set of Episodes. Typically, a Season contains all Episodes to be made available in a pre-determined time frame, which often is within a twelve-month period. It may be that a Series is not yet complete when a Season is made available. | |
| Series | A Set of Resources (Episodes) designed to be made available sequentially. | |
| Allowed Value Set & Allowed Value | Definition | |
| SummaryType | The Type of the statement provided in this Summary Record. | |
|---|---|---|
| Contributor | A Party contributing to the making of a Resource. | |
| RightsController | A Party that controls rights in one or more Resources in respect of some or all rights for specific territories, time periods and UseTypes (which may be anything up to and including all rights for the world, in perpetuity, and for all types of Use). | |
Allowed Value Set & Allowed Value | Definition | |
TerritoryOfRevenueGeneration | The Territory in which the revenue was generated. | |
|---|---|---|
AD | Andorra (Source:ISO 3166-1). | |
AE | The United Arab Emirates (Source:ISO 3166-1). | |
AF | Afghanistan (Source:ISO 3166-1). | |
AG | Antigua and Barbuda (Source:ISO 3166-1). | |
AI | Anguilla (Source:ISO 3166-1). | |
AL | Albania (Source:ISO 3166-1). | |
AM | Armenia (Source:ISO 3166-1). | |
AO | Angola (Source:ISO 3166-1). | |
AQ | Antarctica (Source:ISO 3166-1). | |
AR | Argentina (Source:ISO 3166-1). | |
AS | American Samoa (Source:ISO 3166-1). | |
AT | Austria (Source:ISO 3166-1). | |
AU | Australia (Source:ISO 3166-1). | |
AW | Aruba (Source:ISO 3166-1). | |
AX | Åland Islands (Source:ISO 3166-1). | |
AZ | Azerbaijan (Source:ISO 3166-1). | |
BA | Bosnia and Herzegovina (Source:ISO 3166-1). | |
BB | Barbados (Source:ISO 3166-1). | |
BD | Bangladesh (Source:ISO 3166-1). | |
BE | Belgium (Source:ISO 3166-1). | |
BF | Burkina Faso (Source:ISO 3166-1). | |
BG | Bulgaria (Source:ISO 3166-1). | |
BH | Bahrain (Source:ISO 3166-1). | |
BI | Burundi (Source:ISO 3166-1). | |
BJ | Benin (Source:ISO 3166-1). | |
BL | Saint Barthélemy (Source:ISO 3166-1). | |
BM | Bermuda (Source:ISO 3166-1). | |
BN | Brunei (Source:ISO 3166-1). | |
BO | Bolivia (Source:ISO 3166-1). | |
BQ | Bonaire, Sint Eustatius and Saba (Source:ISO 3166-1). | |
BR | Brazil (Source:ISO 3166-1). | |
BS | The Bahamas (Source:ISO 3166-1). | |
BT | Bhutan (Source:ISO 3166-1). | |
BV | Bouvet Island (Source:ISO 3166-1). | |
BW | Botswana (Source:ISO 3166-1). | |
BY | Belarus (Source:ISO 3166-1). | |
BZ | Belize (Source:ISO 3166-1). | |
CA | Canada (Source:ISO 3166-1). | |
CC | Cocos Islands (Source:ISO 3166-1). | |
CD | The Democratic Republic of the Congo (Source:ISO 3166-1). | |
CF | The Central African Republic (Source:ISO 3166-1). | |
CG | The Congo (Source:ISO 3166-1). | |
CH | Switzerland (Source:ISO 3166-1). | |
CI | Côte d'Ivoire (Source:ISO 3166-1). | |
CK | Cook Islands (Source:ISO 3166-1). | |
CL | Chile (Source:ISO 3166-1). | |
CM | Cameroon (Source:ISO 3166-1). | |
CN | China (Source:ISO 3166-1). | |
CO | Colombia (Source:ISO 3166-1). | |
CR | Costa Rica (Source:ISO 3166-1). | |
CU | Cuba (Source:ISO 3166-1). | |
CV | Cape Verde (Source:ISO 3166-1). | |
CW | Curaçao (Source:ISO 3166-1). | |
CX | Christmas Island (Source:ISO 3166-1). | |
CY | Cyprus (Source:ISO 3166-1). | |
CZ | Czechia (Source:ISO 3166-1). | |
DE | Germany (Source:ISO 3166-1). | |
DJ | Djibouti (Source:ISO 3166-1). | |
DK | Denmark (Source:ISO 3166-1). | |
DM | Dominica (Source:ISO 3166-1). | |
DO | The Dominican Republic (Source:ISO 3166-1). | |
DZ | Algeria (Source:ISO 3166-1). | |
EC | Ecuador (Source:ISO 3166-1). | |
EE | Estonia (Source:ISO 3166-1). | |
EG | Egypt (Source:ISO 3166-1). | |
EH | Western Sahara (Source:ISO 3166-1). | |
ER | Eritrea (Source:ISO 3166-1). | |
ES | Spain (Source:ISO 3166-1). | |
ES-CE | Ceuta, Spain (Source:ISO 3166-2). | |
ES-CN | Canary Islands, Spain (Source:ISO 3166-2). | |
ES-ML | Melilla, Spain (Source:ISO 3166-2). | |
ET | Ethiopia (Source:ISO 3166-1). | |
FI | Finland (Source:ISO 3166-1). | |
FJ | Fiji (Source:ISO 3166-1). | |
FK | Falkland Islands (Source:ISO 3166-1). | |
FM | Micronesia (Source:ISO 3166-1). | |
FO | Faroe Islands (Source:ISO 3166-1). | |
FR | France (Source:ISO 3166-1). | |
GA | Gabon (Source:ISO 3166-1). | |
GB | The United Kingdom (Source:ISO 3166-1). | |
GD | Grenada (Source:ISO 3166-1). | |
GE | Georgia (Source:ISO 3166-1). | |
GF | French Guiana (Source:ISO 3166-1). | |
GG | Guernsey (Source:ISO 3166-1). | |
GH | Ghana (Source:ISO 3166-1). | |
GI | Gibraltar (Source:ISO 3166-1). | |
GL | Greenland (Source:ISO 3166-1). | |
GM | The Gambia (Source:ISO 3166-1). | |
GN | Guinea (Source:ISO 3166-1). | |
GP | Guadeloupe (Source:ISO 3166-1). | |
GQ | Equatorial Guinea (Source:ISO 3166-1). | |
GR | Greece (Source:ISO 3166-1). | |
GS | South Georgia and The South Sandwich Islands (Source:ISO 3166-1). | |
GT | Guatemala (Source:ISO 3166-1). | |
GU | Guam (Source:ISO 3166-1). | |
GW | Guinea-Bissau (Source:ISO 3166-1). | |
GY | Guyana (Source:ISO 3166-1). | |
HK | Hong Kong (Source:ISO 3166-1). | |
HM | Heard Island and McDonald Islands (Source:ISO 3166-1). | |
HN | Honduras (Source:ISO 3166-1). | |
HR | Croatia (Source:ISO 3166-1). | |
HT | Haiti (Source:ISO 3166-1). | |
HU | Hungary (Source:ISO 3166-1). | |
ID | Indonesia (Source:ISO 3166-1). | |
IE | Ireland (Source:ISO 3166-1). | |
IL | Israel (Source:ISO 3166-1). | |
IM | Isle of Man (Source:ISO 3166-1). | |
IN | India (Source:ISO 3166-1). | |
IO | The British Indian Ocean Territory (Source:ISO 3166-1). | |
IQ | Iraq (Source:ISO 3166-1). | |
IR | Iran (Source:ISO 3166-1). | |
IS | Iceland (Source:ISO 3166-1). | |
IT | Italy (Source:ISO 3166-1). | |
JE | Jersey (Source:ISO 3166-1). | |
JM | Jamaica (Source:ISO 3166-1). | |
JO | Jordan (Source:ISO 3166-1). | |
JP | Japan (Source:ISO 3166-1). | |
KE | Kenya (Source:ISO 3166-1). | |
KG | Kyrgyzstan (Source:ISO 3166-1). | |
KH | Cambodia (Source:ISO 3166-1). | |
KI | Kiribati (Source:ISO 3166-1). | |
KM | The Comoros (Source:ISO 3166-1). | |
KN | Saint Kitts and Nevis (Source:ISO 3166-1). | |
KP | The Democratic People's Republic of Korea (Source:ISO 3166-1). | |
KR | The Republic of Korea (Source:ISO 3166-1). | |
KW | Kuwait (Source:ISO 3166-1). | |
KY | Cayman Islands (Source:ISO 3166-1). | |
KZ | Kazakhstan (Source:ISO 3166-1). | |
LA | Laos (Source:ISO 3166-1). | |
LB | Lebanon (Source:ISO 3166-1). | |
LC | Saint Lucia (Source:ISO 3166-1). | |
LI | Liechtenstein (Source:ISO 3166-1). | |
LK | Sri Lanka (Source:ISO 3166-1). | |
LR | Liberia (Source:ISO 3166-1). | |
LS | Lesotho (Source:ISO 3166-1). | |
LT | Lithuania (Source:ISO 3166-1). | |
LU | Luxembourg (Source:ISO 3166-1). | |
LV | Latvia (Source:ISO 3166-1). | |
LY | Libya (Source:ISO 3166-1). | |
MA | Morocco (Source:ISO 3166-1). | |
MC | Monaco (Source:ISO 3166-1). | |
MD | Moldova (Source:ISO 3166-1). | |
ME | Montenegro (Source:ISO 3166-1). | |
MF | Saint Martin (Source:ISO 3166-1). | |
MG | Madagascar (Source:ISO 3166-1). | |
MH | The Marshall Islands (Source:ISO 3166-1). | |
MK | Macedonia (Source:ISO 3166-1). | |
ML | Mali (Source:ISO 3166-1). | |
MM | Myanmar (Source:ISO 3166-1). | |
MN | Mongolia (Source:ISO 3166-1). | |
MO | Macao (Source:ISO 3166-1). | |
MP | Northern Mariana Islands (Source:ISO 3166-1). | |
MQ | Martinique (Source:ISO 3166-1). | |
MR | Mauritania (Source:ISO 3166-1). | |
MS | Montserrat (Source:ISO 3166-1). | |
MT | Malta (Source:ISO 3166-1). | |
MU | Mauritius (Source:ISO 3166-1). | |
MV | Maldives (Source:ISO 3166-1). | |
MW | Malawi (Source:ISO 3166-1). | |
MX | Mexico (Source:ISO 3166-1). | |
MY | Malaysia (Source:ISO 3166-1). | |
MZ | Mozambique (Source:ISO 3166-1). | |
NA | Namibia (Source:ISO 3166-1). | |
NC | New Caledonia (Source:ISO 3166-1). | |
NE | The Niger (Source:ISO 3166-1). | |
NF | Norfolk Island (Source:ISO 3166-1). | |
NG | Nigeria (Source:ISO 3166-1). | |
NI | Nicaragua (Source:ISO 3166-1). | |
NL | The Netherlands (Source:ISO 3166-1). | |
NO | Norway (Source:ISO 3166-1). | |
NP | Nepal (Source:ISO 3166-1). | |
NR | Nauru (Source:ISO 3166-1). | |
NU | Niue (Source:ISO 3166-1). | |
NZ | New Zealand (Source:ISO 3166-1). | |
OM | Oman (Source:ISO 3166-1). | |
PA | Panama (Source:ISO 3166-1). | |
PE | Peru (Source:ISO 3166-1). | |
PF | French Polynesia (Source:ISO 3166-1). | |
PG | Papua New Guinea (Source:ISO 3166-1). | |
PH | The Philippines (Source:ISO 3166-1). | |
PK | Pakistan (Source:ISO 3166-1). | |
PL | Poland (Source:ISO 3166-1). | |
PM | Saint Pierre and Miquelon (Source:ISO 3166-1). | |
PN | Pitcairn (Source:ISO 3166-1). | |
PR | Puerto Rico (Source:ISO 3166-1). | |
PS | The Occupied Palestinian Territory (Source:ISO 3166-1). | |
PT | Portugal (Source:ISO 3166-1). | |
PW | Palau (Source:ISO 3166-1). | |
PY | Paraguay (Source:ISO 3166-1). | |
QA | Qatar (Source:ISO 3166-1). | |
RE | Réunion (Source:ISO 3166-1). | |
RO | Romania (Source:ISO 3166-1). | |
RS | Serbia (Source:ISO 3166-1). | |
RU | Russia (Source:ISO 3166-1). | |
RW | Rwanda (Source:ISO 3166-1). | |
SA | Saudi Arabia (Source:ISO 3166-1). | |
SB | Solomon Islands (Source:ISO 3166-1). | |
SC | Seychelles (Source:ISO 3166-1). | |
SD | The Sudan (Source:ISO 3166-1). | |
SE | Sweden (Source:ISO 3166-1). | |
SG | Singapore (Source:ISO 3166-1). | |
SH | Saint Helena (Source:ISO 3166-1). | |
SI | Slovenia (Source:ISO 3166-1). | |
SJ | Svalbard and Jan Mayen (Source:ISO 3166-1). | |
SK | Slovakia (Source:ISO 3166-1). | |
SL | Sierra Leone (Source:ISO 3166-1). | |
SM | San Marino (Source:ISO 3166-1). | |
SN | Senegal (Source:ISO 3166-1). | |
SO | Somalia (Source:ISO 3166-1). | |
SR | Suriname (Source:ISO 3166-1). | |
SS | South Soudan (Source:ISO 3166-1). | |
ST | Sao Tome and Principe (Source:ISO 3166-1). | |
SV | El Salvador (Source:ISO 3166-1). | |
SX | Sint Maarten (Source:ISO 3166-1). | |
SY | Syria (Source:ISO 3166-1). | |
SZ | Eswatini (Source:ISO 3166-1). | |
TC | Turks and Caicos Islands (Source:ISO 3166-1). | |
TD | Chad (Source:ISO 3166-1). | |
TF | The French Southern Territories (Source:ISO 3166-1). | |
TG | Togo (Source:ISO 3166-1). | |
TH | Thailand (Source:ISO 3166-1). | |
TJ | Tajikistan (Source:ISO 3166-1). | |
TK | Tokelau (Source:ISO 3166-1). | |
TL | Timor-Leste (Source:ISO 3166-1). | |
TM | Turkmenistan (Source:ISO 3166-1). | |
TN | Tunisia (Source:ISO 3166-1). | |
TO | Tonga (Source:ISO 3166-1). | |
TR | Turkey (Source:ISO 3166-1). | |
TT | Trinidad and Tobago (Source:ISO 3166-1). | |
TV | Tuvalu (Source:ISO 3166-1). | |
TW | Taiwan (Source:ISO 3166-1). | |
TZ | Tanzania (Source:ISO 3166-1). | |
UA | Ukraine (Source:ISO 3166-1). | |
UG | Uganda (Source:ISO 3166-1). | |
UM | United States Minor Outlying Islands (Source:ISO 3166-1). | |
US | The United States (Source:ISO 3166-1). | |
UY | Uruguay (Source:ISO 3166-1). | |
UZ | Uzbekistan (Source:ISO 3166-1). | |
VA | The Holy See (Source:ISO 3166-1). | |
VC | Saint Vincent and The Grenadines (Source:ISO 3166-1). | |
VE | Venezuela (Source:ISO 3166-1). | |
VG | British Virgin Islands (Source:ISO 3166-1). | |
VI | US Virgin Islands (Source:ISO 3166-1). | |
VN | Viet Nam (Source:ISO 3166-1). | |
VU | Vanuatu (Source:ISO 3166-1). | |
WF | Wallis and Futuna (Source:ISO 3166-1). | |
WS | Samoa (Source:ISO 3166-1). | |
YE | Yemen (Source:ISO 3166-1). | |
YT | Mayotte (Source:ISO 3166-1). | |
ZA | South Africa (Source:ISO 3166-1). | |
ZM | Zambia (Source:ISO 3166-1). | |
ZW | Zimbabwe (Source:ISO 3166-1). | |
4 | Afghanistan (Source: TIS Standard). | |
8 | Albania (Source: TIS Standard). | |
12 | Algeria (Source: TIS Standard). | |
20 | Andorra (Source: TIS Standard). | |
24 | Angola (Source: TIS Standard). | |
28 | Antigua And Barbuda (Source: TIS Standard). | |
31 | Azerbaijan (Source: TIS Standard). | |
32 | Argentina (Source: TIS Standard). | |
36 | Australia (Source: TIS Standard). | |
40 | Austria (Source: TIS Standard). | |
44 | Bahamas (Source: TIS Standard). | |
48 | Bahrain (Source: TIS Standard). | |
50 | Bangladesh (Source: TIS Standard). | |
51 | Armenia (Source: TIS Standard). | |
52 | Barbados (Source: TIS Standard). | |
56 | Belgium (Source: TIS Standard). | |
64 | Bhutan (Source: TIS Standard). | |
68 | Bolivia (Source: TIS Standard). | |
70 | Bosnia And Herzegovina (Source: TIS Standard). | |
72 | Botswana (Source: TIS Standard). | |
76 | Brazil (Source: TIS Standard). | |
84 | Belize (Source: TIS Standard). | |
90 | Solomon Islands (Source: TIS Standard). | |
96 | Brunei Darussalam (Source: TIS Standard). | |
100 | Bulgaria (Source: TIS Standard). | |
104 | Myanmar (Source: TIS Standard). | |
108 | Burundi (Source: TIS Standard). | |
112 | Belarus (Source: TIS Standard). | |
116 | Cambodia (Source: TIS Standard). | |
120 | Cameroon (Source: TIS Standard). | |
124 | Canada (Source: TIS Standard). | |
132 | Cape Verde (Source: TIS Standard). | |
140 | Central African Republic (Source: TIS Standard). | |
144 | Sri Lanka (Source: TIS Standard). | |
148 | Chad (Source: TIS Standard). | |
152 | Chile (Source: TIS Standard). | |
156 | China (Source: TIS Standard). | |
158 | Taiwan, Province of China (Source: TIS Standard). | |
170 | Colombia (Source: TIS Standard). | |
174 | Comoros (Source: TIS Standard). | |
178 | Congo (Source: TIS Standard). | |
180 | Congo, The Democratic Republic of The (Source: TIS Standard). | |
188 | Costa Rica (Source: TIS Standard). | |
191 | Croatia (Source: TIS Standard). | |
192 | Cuba (Source: TIS Standard). | |
196 | Cyprus (Source: TIS Standard). | |
200 | Czechoslovakia (Source: TIS Standard). | |
203 | Czechia (Source: TIS Standard). | |
204 | Benin (Source: TIS Standard). | |
208 | Denmark (Source: TIS Standard). | |
212 | Dominica (Source: TIS Standard). | |
214 | Dominican Republic (Source: TIS Standard). | |
218 | Ecuador (Source: TIS Standard). | |
222 | El Salvador (Source: TIS Standard). | |
226 | Equatorial Guinea (Source: TIS Standard). | |
230 | Ethiopia (Source: TIS Standard). | |
231 | Ethiopia (Source: TIS Standard). | |
232 | Eritrea (Source: TIS Standard). | |
233 | Estonia (Source: TIS Standard). | |
242 | Fiji (Source: TIS Standard). | |
246 | Finland (Source: TIS Standard). | |
250 | France (Source: TIS Standard). | |
258 | French Polynesia (Source: TIS Standard). | |
262 | Djibouti (Source: TIS Standard). | |
266 | Gabon (Source: TIS Standard). | |
268 | Georgia (Source: TIS Standard). | |
270 | Gambia (Source: TIS Standard). | |
276 | Germany (after 1990) (Source: TIS Standard). | |
278 | German Democratic Republic (Source: TIS Standard). | |
280 | Germany (before 1990) (Source: TIS Standard). | |
288 | Ghana (Source: TIS Standard). | |
296 | Kiribati (Source: TIS Standard). | |
300 | Greece (Source: TIS Standard). | |
308 | Grenada (Source: TIS Standard). | |
320 | Guatemala (Source: TIS Standard). | |
324 | Guinea (Source: TIS Standard). | |
328 | Guyana (Source: TIS Standard). | |
332 | Haiti (Source: TIS Standard). | |
336 | Holy See (Vatican City State) (Source: TIS Standard). | |
340 | Honduras (Source: TIS Standard). | |
344 | Hong Kong (Source: TIS Standard). | |
348 | Hungary (Source: TIS Standard). | |
352 | Iceland (Source: TIS Standard). | |
356 | India (Source: TIS Standard). | |
360 | Indonesia (Source: TIS Standard). | |
364 | Iran, Islamic Republic of (Source: TIS Standard). | |
368 | Iraq (Source: TIS Standard). | |
372 | Ireland (Source: TIS Standard). | |
376 | Israel (Source: TIS Standard). | |
380 | Italy (Source: TIS Standard). | |
384 | Cote D'Ivoire (Source: TIS Standard). | |
388 | Jamaica (Source: TIS Standard). | |
392 | Japan (Source: TIS Standard). | |
398 | Kazakhstan (Source: TIS Standard). | |
400 | Jordan (Source: TIS Standard). | |
404 | Kenya (Source: TIS Standard). | |
408 | Korea, Democratic People's Republic of (Source: TIS Standard). | |
410 | Korea, Republic of (Source: TIS Standard). | |
414 | Kuwait (Source: TIS Standard). | |
417 | Kyrgyzstan (Source: TIS Standard). | |
418 | Lao People's Democratic Republic (Source: TIS Standard). | |
422 | Lebanon (Source: TIS Standard). | |
426 | Lesotho (Source: TIS Standard). | |
428 | Latvia (Source: TIS Standard). | |
430 | Liberia (Source: TIS Standard). | |
434 | Libya (Source: TIS Standard). | |
438 | Liechtenstein (Source: TIS Standard). | |
440 | Lithuania (Source: TIS Standard). | |
442 | Luxembourg (Source: TIS Standard). | |
450 | Madagascar (Source: TIS Standard). | |
454 | Malawi (Source: TIS Standard). | |
458 | Malaysia (Source: TIS Standard). | |
462 | Maldives (Source: TIS Standard). | |
466 | Mali (Source: TIS Standard). | |
470 | Malta (Source: TIS Standard). | |
478 | Mauritania (Source: TIS Standard). | |
480 | Mauritius (Source: TIS Standard). | |
484 | Mexico (Source: TIS Standard). | |
492 | Monaco (Source: TIS Standard). | |
496 | Mongolia (Source: TIS Standard). | |
498 | Moldova, Republic of (Source: TIS Standard). | |
499 | Montenegro (Source: TIS Standard). | |
504 | Morocco (Source: TIS Standard). | |
508 | Mozambique (Source: TIS Standard). | |
512 | Oman (Source: TIS Standard). | |
516 | Namibia (Source: TIS Standard). | |
520 | Nauru (Source: TIS Standard). | |
524 | Nepal (Source: TIS Standard). | |
528 | Netherlands (Source: TIS Standard). | |
540 | New Caledonia (Source: TIS Standard). | |
548 | Vanuatu (Source: TIS Standard). | |
554 | New Zealand (Source: TIS Standard). | |
558 | Nicaragua (Source: TIS Standard). | |
562 | Niger (Source: TIS Standard). | |
566 | Nigeria (Source: TIS Standard). | |
578 | Norway (Source: TIS Standard). | |
583 | Micronesia, Federated States of (Source: TIS Standard). | |
584 | Marshall Islands (Source: TIS Standard). | |
585 | Palau (Source: TIS Standard). | |
586 | Pakistan (Source: TIS Standard). | |
591 | Panama (Source: TIS Standard). | |
598 | Papua New Guinea (Source: TIS Standard). | |
600 | Paraguay (Source: TIS Standard). | |
604 | Peru (Source: TIS Standard). | |
608 | Philippines (Source: TIS Standard). | |
616 | Poland (Source: TIS Standard). | |
620 | Portugal (Source: TIS Standard). | |
624 | Guinea-Bissau (Source: TIS Standard). | |
626 | Timor-Leste (Source: TIS Standard). | |
630 | Puerto Rico (Source: TIS Standard). | |
634 | Qatar (Source: TIS Standard). | |
642 | Romania (Source: TIS Standard). | |
643 | Russian Federation (Source: TIS Standard). | |
646 | Rwanda (Source: TIS Standard). | |
659 | Saint Kitts And Nevis (Source: TIS Standard). | |
662 | Saint Lucia (Source: TIS Standard). | |
670 | Saint Vincent And The Grenadines (Source: TIS Standard). | |
674 | San Marino (Source: TIS Standard). | |
678 | Sao Tome And Principe (Source: TIS Standard). | |
682 | Saudi Arabia (Source: TIS Standard). | |
686 | Senegal (Source: TIS Standard). | |
688 | Serbia (Source: TIS Standard). | |
690 | Seychelles (Source: TIS Standard). | |
694 | Sierra Leone (Source: TIS Standard). | |
702 | Singapore (Source: TIS Standard). | |
703 | Slovakia (Source: TIS Standard). | |
704 | Viet Nam (Source: TIS Standard). | |
705 | Slovenia (Source: TIS Standard). | |
706 | Somalia (Source: TIS Standard). | |
710 | South Africa (Source: TIS Standard). | |
716 | Zimbabwe (Source: TIS Standard). | |
720 | Yemen, Democratic (Source: TIS Standard). | |
724 | Spain (Source: TIS Standard). | |
728 | South Sudan (Source: TIS Standard). | |
729 | Sudan (Source: TIS Standard). | |
732 | Western Sahara (Source: TIS Standard). | |
736 | Sudan (Source: TIS Standard). | |
740 | Suriname (Source: TIS Standard). | |
748 | Swaziland (Source: TIS Standard). Swaziland has recently changed its name to Eswatini. DDEX will update the value as soon as it becomes aware of a change in the TIS codes as governed by CISAC. | |
752 | Sweden (Source: TIS Standard). | |
756 | Switzerland (Source: TIS Standard). | |
760 | Syrian Arab Republic (Source: TIS Standard). | |
762 | Tajikistan (Source: TIS Standard). | |
764 | Thailand (Source: TIS Standard). | |
768 | Togo (Source: TIS Standard). | |
776 | Tonga (Source: TIS Standard). | |
780 | Trinidad And Tobago (Source: TIS Standard). | |
784 | United Arab Emirates (Source: TIS Standard). | |
788 | Tunisia (Source: TIS Standard). | |
792 | Turkey (Source: TIS Standard). | |
795 | Turkmenistan (Source: TIS Standard). | |
798 | Tuvalu (Source: TIS Standard). | |
800 | Uganda (Source: TIS Standard). | |
804 | Ukraine (Source: TIS Standard). | |
807 | Macedonia, The Former Yugoslav Republic of (Source: TIS Standard). | |
810 | USSR (Source: TIS Standard). | |
818 | Egypt (Source: TIS Standard). | |
826 | United Kingdom (Source: TIS Standard). | |
834 | Tanzania, United Republic of (Source: TIS Standard). | |
840 | United States (Source: TIS Standard). | |
854 | Burkina Faso (Source: TIS Standard). | |
858 | Uruguay (Source: TIS Standard). | |
860 | Uzbekistan (Source: TIS Standard). | |
862 | Venezuela (Source: TIS Standard). | |
882 | Samoa (Source: TIS Standard). | |
886 | Yemen (before 1990) (Source: TIS Standard). | |
887 | Yemen (after 1990) (Source: TIS Standard). | |
890 | Yugoslavia (Source: TIS Standard). | |
891 | Serbia And Montenegro (Source: TIS Standard). | |
894 | Zambia (Source: TIS Standard). | |
2100 | Africa (Source: TIS Standard). | |
2101 | America (Source: TIS Standard). | |
2102 | American Continent (Source: TIS Standard). | |
2103 | Antilles (Source: TIS Standard). | |
2104 | Apec Countries (Source: TIS Standard). | |
2105 | Asean Countries (Source: TIS Standard). | |
2106 | Asia (Source: TIS Standard). | |
2107 | Australasia (Source: TIS Standard). | |
2108 | Balkans (Source: TIS Standard). | |
2109 | Baltic States (Source: TIS Standard). | |
2110 | Benelux (Source: TIS Standard). | |
2111 | British Isles (Source: TIS Standard). | |
2112 | British West Indies (Source: TIS Standard). | |
2113 | Central America (Source: TIS Standard). | |
2114 | Commonwealth (Source: TIS Standard). | |
2115 | Commonwealth African Territories (Source: TIS Standard). | |
2116 | Commonwealth Asian Territories (Source: TIS Standard). | |
2117 | Commonwealth Australasian Territories (Source: TIS Standard). | |
2118 | Commonwealth of Independent States (Source: TIS Standard). | |
2119 | Eastern Europe (Source: TIS Standard). | |
2120 | Europe (Source: TIS Standard). | |
2121 | European Economic Area (Source: TIS Standard). | |
2122 | European Continent (Source: TIS Standard). | |
2123 | European Union (Source: TIS Standard). | |
2124 | GSA Countries (Source: TIS Standard). | |
2125 | Middle East (Source: TIS Standard). | |
2126 | Nafta Countries (Source: TIS Standard). | |
2127 | Nordic Countries (Source: TIS Standard). | |
2128 | North Africa (Source: TIS Standard). | |
2129 | North America (Source: TIS Standard). | |
2130 | Oceania (Source: TIS Standard). | |
2131 | Scandinavia (Source: TIS Standard). | |
2132 | South America (Source: TIS Standard). | |
2133 | South East Asia (Source: TIS Standard). | |
2134 | West Indies (Source: TIS Standard). | |
2136 | World (Source: TIS Standard). | |
Worldwide | An Identifier which identifies all Territories in the world. | |
| XK | Kosovo (Source: EU). | |
| AIDJ | French Afar and Issas, Name changed to Djibouti (DJ), (Source ISO 3166-3). | |
| ANHH | Netherlands Antilles, Divided into: Bonaire, Sint Eustatius and Saba (BQ), Curaçao (CW), Sint Maarten (Dutch part) (SX), (Source ISO 3166-3). | |
| BQAQ | British Antarctic Territory, Merged into Antarctica (AQ), (Source ISO 3166-3). | |
| BUMM | Burma, Name changed to Myanmar (MM), (Source ISO 3166-3). | |
| BYAA | Byelorussian SSR, Name changed to Belarus (BY), (Source ISO 3166-3). | |
| CSHH | Czechoslovakia, Divided into: Czechia (CZ), Slovakia (SK), (Source ISO 3166-3). | |
| CSXX | Serbia and Montenegro, Divided into: Montenegro (ME), Serbia (RS), (Source ISO 3166-3). | |
| CTKI | Canton and Enderbury Islands, Merged into Kiribati (KI), (Source ISO 3166-3). | |
| DDDE | German Democratic Republic, Merged into Germany (DE), (Source ISO 3166-3). | |
| DYBJ | Dahomey, Name changed to Benin (BJ), (Source ISO 3166-3). | |
| FQHH | French Southern and Antarctic Territories, Divided into: Part of Antarctica (AQ) (i.e., Adálie Land), French Southern Territories (TF), (Source ISO 3166-3). | |
| FXFR | France, Metropolitan, Merged into France (FR), (Source ISO 3166-3). | |
| GEHH | Gilbert and Ellice Islands, Divided into: Kiribati (KI), Tuvalu (TV), (Source ISO 3166-3). | |
| HVBF | Upper Volta, Name changed to Burkina Faso (BF), (Source ISO 3166-3). | |
| JTUM | Johnston Island, Merged into United States Minor Outlying Islands (UM), (Source ISO 3166-3). | |
| MIUM | Midway Islands, Merged into United States Minor Outlying Islands (UM), (Source ISO 3166-3). | |
| NHVU | New Hebrides, Name changed to Vanuatu (VU), (Source ISO 3166-3). | |
| NQAQ | Dronning Maud Land, Merged into Antarctica (AQ), (Source ISO 3166-3). | |
| NTHH | Neutral Zone, Divided into: Part of Iraq (IQ), Part of Saudi Arabia (SA), (Source ISO 3166-3). | |
| PCHH | Pacific Islands, Trust Territory of the, Divided into: Marshall Islands (MH), Micronesia, Federated States of (FM), Northern Mariana Islands (MP), Palau (PW), (Source ISO 3166-3). | |
| PUUM | U.S. Miscellaneous Pacific Islands, Merged into United States Minor Outlying Islands (UM), (Source ISO 3166-3). | |
| PZPA | Panama Canal Zone, Merged into Panama (PA), (Source ISO 3166-3). | |
| RHZW | Southern Rhodesia, Name changed to Zimbabwe (ZW), (Source ISO 3166-3). | |
| SKIN | Sikkim, Merged into India (IN), (Source ISO 3166-3). | |
| SUHH | USSR, Divided into: Armenia (AM), Azerbaijan (AZ), Estonia (EE), Georgia (GE), Kazakhstan (KZ), Kyrgyzstan (KG), Latvia (LV), Lithuania (LT), Moldova, Republic of (MD), Russian Federation (RU), Tajikistan (TJ), Turkmenistan (TM), Uzbekistan (UZ), (Source ISO 3166-3). | |
| TPTL | East Timor, Name changed to Timor-Leste (TL), (Source ISO 3166-3). | |
| VDVN | Viet-Nam, Democratic Republic of, Merged into Viet Nam (VN), (Source ISO 3166-3). | |
| WKUM | Wake Island, Merged into United States Minor Outlying Islands (UM), (Source ISO 3166-3). | |
| YDYE | Yemen, Democratic, Merged into Yemen (YE), (Source ISO 3166-3). | |
| YUCS | Yugoslavia, Name changed to Serbia and Montenegro (CS), (Source ISO 3166-3). | |
| ZRCD | Zaire, Name changed to Congo, the Democratic Republic of the (CD), (Source ISO 3166-3). | |
| Allowed Value Set & Allowed Value | Definition | |
| UnitTypeForRevenueAllocation | The basis used for the current Record. | |
|---|---|---|
| IndividualUsages | A UnitTypeForRevenueAllocation consisting of usages multiplied by the number of end users. This value thus depends on audience numbers, whereas Usages does not. | |
| Seconds | A UnitTypeForRevenueAllocation based on the duration for which a Resource is used, in seconds. | |
| UnitOfAccounting | A UnitTypeForRevenueAllocation for the distribution of private copying levies on a SoundRecording basis that accounts for unit sales multiplied by a duration in seconds. | |
| Usages | A UnitTypeForRevenueAllocation consisting of usages for which the number of end users is not known. This value thus does not depends on audience numbers, whereas IndividualUsages does. | |
| UserDefined | A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. | |
| Allowed Value Set & Allowed Value | Definition | |
| UseType | A type of usage that a Licensee has made of the Resource and for which the revenue was generated. | |
|---|---|---|
| All | A value that describes all usages, including future usages not envisaged yet. | |
| Broadcast | To linearly Deliver a Resource using radio waves on the radio frequency portion of the electromagnetic spectrum. | |
| BroadcastRadio | To Broadcast Resources for radio programs. | |
| BroadcastTV | To Broadcast Resources for TV programs. | |
| CableRetransmission | To re-transmit a Resource via a cable network as used by, e.g., Cable TV providers. | |
| CableRetransmissionRadio | To re-transmit a Resource for a radio program via a cable network. | |
| CableRetransmissionTV | To re-transmit a Resource for a TV program via a cable network. | |
| CatchUp | To provide on-demand offering of a previously broadcast Resource to allow the audience access it for a limited period after it was broadcasted. | |
| CatchUpRadio | To provide on-demand offering of a Resource in a previously broadcast radio program to allow the audience access it for a limited period after it was broadcasted. | |
| CatchUpTV | To provide on-demand offering of a Resource in a previously broadcast TV program to allow the audience access it for a limited period after it was broadcasted. | |
| CommercialRent | To allow access to a Resource for a limited Period of Time and for direct or indirect economic or commercial advantage. | |
| ConditionalDownload | To Download a Resource under a condition (e.g. tethered to a Service or device). | |
| Download | To transfer a Resource from a service's Computer to a consumer's Computer for later consumption (e.g. ConditionalDownload, PermanentDownload). | |
| Dub | To Copy an AudioResource onto a film. | |
| DubForDistribution | To Copy an AudioResource for onward distribution of a physical product. | |
| DubForOnDemandStreaming | To Copy an AudioResource for on-demand streaming. | |
| DubForPublicPerformance | To reproduce an AudioResource to enable a public Performance. Note: this use does not include the public performance of the included Resource. | |
| DubForRadio | To reproduce an AudioResource to enable any form of radio transmission. Note: this use does not include the public performance of the included Resource. | |
| DubForTV | To reproduce an AudioResource to enable any form of television transmission. Note: this use does not include the public performance of the included Resource. | |
| Lend | To allow access to a Resource for a limited Period of Time through Organizations accessible to the public, but not for direct or indirect economic or commercial advantage. | |
| NonInteractiveStream | To Stream a Resource as part of a scheduled program that has been a-priori arranged. Consumers cannot directly influence the content or order of a NonInteractiveStream. While NonInteractiveStreams are often referred to as web casts or pre-programmed Streams, users of the RDR standard are advised to use the value Webcast for such services in an RDR message. | |
| OnDemandStream | To Stream a Resource with full interactivity. | |
| PerformInPublic | To Perform a Resource publicly. | |
| PermanentDownload | To Download a Resource for permanent storage and subsequent consumption by the Consumer. | |
| Podcast | To Deliver a series of Resources as a download via web syndication. | |
| PrivateCopy | To Copy a Resource for private use. This UseType is typically used when reporting revenues related to private copying levies. | |
| Retransmission | To re-transmit an audio or audio-visual Resource to Consumers in a simultaneous, unaltered, unabridged form, not done by the Party responsible for the original transmission. | |
| RingbackTone | To Use a Resource as the audible ringing that is heard primarily on a MobileTelephone by the calling party after dialing and prior to the call being answered at the receiving end. | |
| Simulcast | To Stream a Resource simultaneously over two or more different media systems or channels. | |
| SimulcastRadio | To Simulcast a Resource for a radio program. | |
| SimulcastTV | To Simulcast a Resource for a TV program. | |
| Stream | To stream a Resource (e.g. NonInteractiveStream, OnDemandStream, Simulcast). | |
| UseForEducationAndOrSocialPurposes | To use a Resource by educational organizations (schools, universities etc.) for teaching, research, and social purposes (not for economic or commercial purposes). | |
| UseForIdentification | To use a Resource in a Release to aid identification processes (e.g. to support rights management operations where a record company provides sound recordings to a service provider for fingerprinting or watermarking). For the avoidance of doubt: this UseType does not include making the Release available to Consumers. | |
| UserDefined | A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. | |
| Webcast | To Deliver a Resource over the Internet using streaming technology. | |
Evaluation Licence for DDEX Standards
Subject to your compliance with the terms and conditions of this Agreement, DDEX™ grants you a limited, nonexclusive, non-transferable, non-sublicenseable, royalty-free licence solely to reproduce, distribute within your organisation, and use the DDEX standard specifications (“DDEX Standards”) solely for the purpose of your internal evaluation. You may not make any commercial use of the DDEX Standards under this agreement. No other licences are granted under this agreement.
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- The suitability or fitness of the standards for any particular purpose;
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- The accuracy, completeness, relevance or validity of the standards; or
- The non-infringement of any third party intellectual property rights related to the DDEX Standards.
Accordingly, DDEX and/or its members shall not be liable for any direct, indirect, special, consequential or punitive loss or damages howsoever arising out of or in connection with the use of the standards. IN THE EVENT THAT ANY COURT OF COMPETENT JURISDICTION RENDERS JUDGEMENT AGAINST DDEX AND/OR ITS MEMBERS NOTWITHSTANDING THE ABOVE LIMITATION, THE AGGREGATE LIABILITY TO YOU IN CONNECTION WITH THIS AGREEMENT SHALL IN NO EVENT EXCEED THE AMOUNT OF ONE HUNDRED U.S. DOLLARS (US$ 100.00).
Users of the DDEX Standards are cautioned that it is subject to revision. Users are recommended to use the latest versions, which are available at http://www.ddex.net. The use of outdated versions of the standards is not recommended but may be required by agreement between implementers in particular cases.