The Musical Work Notification request/response choreography supports a number of use cases. These include:
It should be noted that first use-case may be the first step in a larger process of a licensee requesting licence(s) for use(s) of musical-work(s).
As well as the share information at the heart of the process, the choreography allows for (and indeed encourages) the exchange of many data elements which should provide significant value to both licensor and licensee. In particular, the process allows for the licensee to supply sound-recording and release data to the licensee, along with the associated, ISRCs, UPCs, catalogue numbers etc. In exchange, the licensor can supply the licensee with IPI, ISWC and other similar works data.
As well as industry standard identifiers, it is also highly recommended that both licensee and licensor ingest each other's proprietary identifiers. Exchange and usage of identifiers allows for much greater automation of this and other licensing processes.
A sample MWN Request Message is available here. Depending on the circumstances, the response can look very different:
Many of the concepts listed below will be familiar to most readers already, but a common understanding of core concepts is essential for the ensuring that all implementations of the DDEX standards are coherent:
Licensor is defined by DDEX as “An Agent granting permission to use a Creation in a License Agreement.”
In the context of works licensing, the Creation is a Musical Work, i.e. a composition, lyrics or adaptation.
Licensors are typically music publishers, licencing agencies (such as HFA or CMRRA), or collection societies (such as ASCAP, BMI or SACEM).
|Licensee is defined by DDEX as “A Party to whom permission to use a Creation is granted in a License Agreement.” In the context of works licensing, the Creation is a Musical Work, i.e. a composition, lyrics or adaptation. Licensees are typically record companies and/or music retailers.|
The Right Share of a Musical Work as agreed between the Writers (and before the involvement of publishing or publishers). The sum of all manuscript shares on a Musical Work equal 100%. It is possible (though unusual) for Manuscript Shares to vary by Territory or Rights Type.
Manuscript Shares are often referred to as Writer Shares.
The Right Share of a Musical Work as represented by the first publisher in the chain of title. The Original Publishers of a work can therefore change over time. The name "Original" is therefore contractual (rather than meaning the "first" publisher in a temporal sense.)
A RightShare as calculated for the collection of money for Right Shares.
Manuscript Shares are often referred to as Final or Payable Shares.
In the context of the Letters of the Direction Choreography Standard, Collection Shares are the Right Shares that are being transferred from a Relinquishing Publisher to an Acquiring Publisher.
Many of the identifiers listed below will be familiar to most readers already, but a little more information follows on identifiers that may be less familiar:
There is some overlap between DDEX's MWN standard and the Common Works Registration (CWR). Details on this overlap are detailed here.